HOW THE OTHER HALF LOVES – West End

In London theatre, Musicals, Opinion, Plays, Reviews by Jonathan BazLeave a Comment

★★★
Theatre Royal Haymarket, London – until 25 June 2016

Written before he had become one of the nation’s most prolific playwrights, yet as ever focusing upon his hallmark theme of domestic dysfunctionality, How The Other Half Loves is Alan Ayckbourn‘s 1969 effort, viewed through the prism of well-performed comedy.

Fuelled by differences in class and alongside marital infidelity that spans the social strata, the young and argumentative Teresa and Bob Philips (Tamzin Outhwaite and Jason Merrells) live modestly whilst the older Frank and Fiona Foster (Nicholas Le Prevost and Jenny Seagrove) enjoy a more privileged lifestyle. This being Ayckbourn however, Bob is having an affair with Fiona and thrown into the mix are the dull and dim Featherstones (William and Mary played by Matthew Cottle and Gillian Wright respectively) who have no idea that they’re being used as scape goats to hide the sordid carryings on.

For the most part the book is well thought out. Mistaken suspicions are cleverly managed to comical and catastrophic results, with occasional moments of perfectly timed slapstick only enhancing the humour. But while there’s much energy on display, the ending disappoints, feeling a little weak and somewhat rushed and almost doing a disservice to the preceding hilarity. The lengthy curtain drops between scene changes don’t help, with the frequent halts dissipating dramatic momentum.

Le Prevost, Wright and Cottle are all on top form. Le Prevost’s embodiment of a Blithering older gentleman with a constant misunderstanding of what’s been said to him brings the audience to its knees with roaring hilarity. He shows a believable stereotype that continues to surprise and is extremely enjoyable to watch. Wright’s Mary is shy and understated, with a masterclass performance in how to use pauses to full effect and a wonderful collaboration on stage with Cottle, who embodies a warm awkwardness on stage that one could watch for hours.

Alan Strachan‘s direction is choreographed to perfection with pinpoint timing and movement, delivering an Ayckbourn revival that is fun to watch and which refreshingly restores some old school charm to the theatre.

Runs until 25th June
Reviewed by Charlotte Darcy
Photo credit: Alistair Muir

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Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.
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Jonathan Baz on RssJonathan Baz on Twitter
Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.

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