“I clapped so hard I dented my ring” + Press pass: All the reviews and news on Mrs Henderson Presents

In Features, London theatre, Musicals, Opinion, Quotes, Reviews by Terri PaddockLeave a Comment

I gave Mrs Henderson Presents a very enthusiastic response at the curtain call of last night’s West End premiere – so enthusiastic that, as I tweeted at the time, I dented my ring. This is not good, it was my favourite ring, but I couldn’t help myself and I don’t begrudge the show. (A helpful Twitter follower advised me to remove jewellery in future: noted.)

Reading a few of this morning’s verdicts, I have that curious feeling of wondering if we all saw the same show. If I think hard about it, sure, I can understand some of the criticisms – the narrative may be a little thin, the politics of the period may be underplayed, the patriotism may border on cheesy – but I don’t care. I absolutely loved this show.

From the moment that Jamie Foreman‘s emcee takes to the stage to invite the audience to “sit back in your seats, you’re all in for a treat”, I was spellbound in an evening that is amusing, touching and pride-inducing at turns and toe-tappingly tuneful throughout.

My personal highlights – and my friends and I discussed many more at length while still feeling buoyant over post-show dinner – were: the “Lord Chamberlain’s Song”, a sort of Modern Major General with hilarious choreography by Andrew Wright, during which a feisty Tracie Bennett (playing beautifully against type as the aristocratic Mrs Henderson) persuades the lord that nude, stationary women should not be censored (okay but, he says, “I’ll close you down at once if any titties move”); the deliciously cheeky (pun intended) scene where Emma Williams demands the male stagehands undress before the shyer Windmill Girls will do the same; Ian Bartholomew’s “Living in a Dream World”, in which he worries for his fellow Jews in Europe; the bare-chested defiance of the women as the bombs fall on Soho during the Blitz (just typing that chokes me up); and the brilliant anthem fashioned from the real Windmill Theatre’s motto “We’ll Never Close”. Whatever happens with this production, I hope that this number becomes a showbiz, showtune standard of the likes of “No Business Like Show Business” and “Another Opening, Another Show”.

So I say, go see Mrs Henderson Presents, help make it a great big hit.

In the meantime, I’ve gathered reviews, interviews and news (including the show’s just announced Canadian premiere) below.

Mrs Henderson Presents continues at the West End’s Noel Coward Theatre until 18 June 2016.

 

REVIEWS

★★★★ – THE TIMES

Ann Treneman: I cannot imagine in what universe this musical is not going to be a hit… It is based on a true story that also inspired the 2005 film with Judi Dench and Bob Hoskins, but this musical is better. The songs are memorable and very hummable and the lyrics, by Don Black, are absolutely terrific. And, of course, it has nudity… It’s a winner, with a hearty patriotic pep to it: here’s a play with boobs but no boobs, if you know what I mean.

thetimes.co.uk

★★★ – TELEGRAPH

Dominic Cavendish: The full-frontal display of female flesh on view at the Noël Coward makes the show, ahem, an undeniable hot ticket… Although it may sound disingenuous, there’s something touching about the recaptured innocence of it all… This feels like a semi-triumphant evocation of a bygone demi-monde: there’s something missing, and it’s not the clothes.

telegraph.co.uk

★★★★ – GUARDIAN

Michael Billington [From Bath run]: It’s a cliche that, ever since Cats, musicals have tended to sacrifice national identity to become international franchises. One of the cheering things about this is its defiant Britishness: it’s no accident that book and direction are in the hands of Terry Johnson, who revived two of Joan Littlewood’s hits at Stratford East, and who recaptures something of their festive élan.

theguardian.com

★★★★ – THE STAGE

Mark Shenton: New British musical suffused with charm, warmth and sincerity… The score has an easy, accessible pastiche quality, in a similar vein to The Boy Friend, that channels composers who were active at the time, like Ivor Novello and Vivian Ellis… I’m happy to report that this show is no bomb, but scores a direct hit of its own.

thestage.co.uk

THE ARTS DESK

Marianka Swain: As the tea girl-turned-Venus, honey-voiced Emma Williams is the standout turn, finding gravitas in even the most anodyne of Don Black lyrics (her big 11 o’clock number involves the climbing of mountains – though no Mother Abbess in sight).

theartsdesk.com

★★★★ – WEST END FRAME

Andrew Tomlins: Mrs Henderson Presents is a charming new British musical. Adapted from the 2005 film starring Judi Dench, the show – which is written by Terry Johnson, Don Black, George Fenton and Simon Chamberlain – oozes with heart.

westendframe.com

★★★★ – REVIEWS HUB

Scott Matthewman: Despite the wartime setting, the stakes never feel quite high enough; the risk of losing it all is always too far away. Mrs Henderson Presents is still a fine evening of entertainment.

thereviewshub.com

★★★★ – LONDON THEATRE

Mark Shenton: A striking quartet of beautiful young women, led by Emma Williams as the tea-girl turned living statue, are beautiful — but the phwaor phwaor factor is mitigated by establishing their human vulnerabilities first.

londontheatre.co.uk

★★★★ – THEATRE 1

Patsy Trench: The mystery is why Mrs Henderson Presents has taken so long to get from movie to West End musical… As British as Marmite and as old-fashioned as a wind-up wireless, it is what it sets out to be: a thoroughly enjoyable night out.

londontheatre1.com

NEWS, INTERVIEWS & FEATURES

Windmill girls old and new return to the West End with Mrs Henderson Presents

The Windmill girls are heading back to the West End ­- and some of the original performers from the famous theatre will be on hand to see them. The new musical Mrs Henderson…

standard.co.uk

Mrs Henderson Presents is one of five new musicals receiving Toronto premieres

The pre-Broadway run of the Newfoundland-set musical Come From Away, the latest spectacle from Quebec circus troupe The 7 Fingers, a thriller from Toronto playwright Nicolas Billon – and…

theglobeandmail.com

First night feature: Mrs Henderson Presents

Matthew Amer: Mrs Henderson Presents pulls off the clever trick of having the heart and soul of a classic musical while harbouring the most relevant ideas about hiding from the realities of life and conflict… In a nutshell? The stunning Emma Williams gives the most fearless performance you’ll see this year in this brilliantly British tale of pluck, fight, blitz spirit and heart.

officiallondontheatre.co.uk

Former Coronation Street star on bagging the juicy role of Mrs Henderson

Tracie Bennett is chatting to me in between mouthfuls of baked potato, beans and cheese during a break from rehearsals of the musical Mrs Henderson Presents, in which she plays the title role…

independent.co.uk

Emma Williams on Mrs Henderson Presents

Emma on Tracie: “I did my very first job ever with Tracie – when I was 14, in Heartbeat, I played a Girl Guide getting lost on the moors of Yorkshire, and she was my Girl Guide captain! I’ve worked with her four times now.”

broadwayworld.com

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Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
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Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on LinkedinTerri Paddock on TwitterTerri Paddock on Youtube
Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.

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