‘It’s very easy to see all sorts of contemporary parallels’: Director Paul Miller on Macbeth at Chichester Festival Theatre

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Chichester Festival Theatre’s production of Shakespeare’s famous tragedy Macbeth, led by John Simm and Dervla Kirwan as the corrupted couple, marks a homecoming for director Paul Miller.

“I was born in Chichester and my family goes back several generations on the south coast,” he said. “‘I saw a lot of the summer programmes in the late ’70s through to the mid ’80s, so it was my theatrical upbringing.”

Now artistic director of the prestigious Orange Tree Theatre in Richmond, Miller has directed John Simm in several plays (one of which brought the actor an Olivier Award nomination), and in a successful production of Hamlet at Sheffield Crucible. “Practically as the lights came down on the last performance, he turned to me and said ‘I want to do Macbeth next’.”

Simm is well known to TV audiences for starring in hit TV series such as Strangers, Collateral, Dr Who and Life on Mars. But, says Miller, Simm is ‘a remarkable stage actor’.  “If you’ve never seen him on stage you have to take this chance, because he’s got a real stage presence and voice and intelligence. That quality of nervous, flickering thoughtfulness that he brings is perfect for this part.”

Macbeth is a potent brew with its supernatural elements of witches and apparitions, combined with violent action, poetry and edge-of-the-seat storytelling. How will Miller be approaching the production?

“We’re trying to conjure a world that feels recognisable but a little remote, like some frozen part of Northern Europe, maybe 100 years ago, but where a physical brutality is still very much part of life.

“Macbeth starts on a journey into his own mind. He’s both delusional but also very self-aware and fascinated by the inner contours of his own mind and his soul. One of the reasons I didn’t want to put it in a modern political setting is precisely because it might reduce it. It’s most potent when it exists as a metaphor.

“But I think it’s very easy to see all sorts of contemporary parallels. People make one terrible decision and that leads inexorably to another bad decision, and they get more and more boxed into their own position.

“I also think it paints a very brilliant, vivid picture of the isolation that comes with power. The more power is exercised arbitrarily, or irrationally, the more fundamentally isolated the person becomes.”

Finally, Miller adds: “Macbeth is a very famous play and, in theatre circles, there’s a tendency for people to ask a director: ‘What are you going to do with it?’.

“I always think it’s terribly important to remember that on any given performance, for a sizable number of people, this will be a story which they’ve never seen before.

“So I look forward, hopefully, to telling the story freshly, for them.”

Macbeth runs at Chichester Festival Theatre from September 21 – October 26.

The post Director Paul Miller talks about the isolation & power in Macbeth at Chichester Festival Theatre. appeared first on Stage Review.

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Anne Cox
Anne Cox is a journalist and blogger with more than 35 years’ experience and a passion for the theatre. Over the years, she has covered am-dram, regional and national theatre. As a critic for her own site Stage Review, she now reviews professional productions within about a two-hour drive of her home patch of Bedfordshire - from the RSC in Stratford, through the Home Counties and London to Chichester. She now runs her independent theatre website Stage Review and tweets @stage_review.
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Anne Cox on FacebookAnne Cox on InstagramAnne Cox on RssAnne Cox on TwitterAnne Cox on Youtube
Anne Cox
Anne Cox is a journalist and blogger with more than 35 years’ experience and a passion for the theatre. Over the years, she has covered am-dram, regional and national theatre. As a critic for her own site Stage Review, she now reviews professional productions within about a two-hour drive of her home patch of Bedfordshire - from the RSC in Stratford, through the Home Counties and London to Chichester. She now runs her independent theatre website Stage Review and tweets @stage_review.

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