High Tide artistic director Suba Das

‘We wanted to create opportunities to keep emerging playwrights engaged & positive’: HighTide’s Suba Das on their Lighthouse Programme during lockdown

In Features, Interviews, London theatre, Opinion, Plays, Regional theatre, Touring by Kirsty HerringtonLeave a Comment

Suba Das is the artistic director of HighTide Theatre. I caught up with him to find out more about the company’s new Lighthouse Programme, specifically created to bring light in the weeks ahead.

Tell me about HighTide & its Lighthouse Programme.

HighTide is one of the UK’s leading new writing companies. We identify and nurture the country’s most exciting voices and create productions of their work in partnership with theatres all over the UK. We’ve helped launch the careers of writers such as Jack Thorne, Ella Hickson, Luke Barnes and Vinay Patel; and directors like Michael Longhurst and Kate Wasserberg.

We created the Lighthouse Programme six weeks ago as a gesture of hope. We wanted to create as many opportunities as we could to keep emerging playwrights, who are at the core of our mission, engaged and positive in these times, alongside supporting communities in the East of England where we create our annual theatre festival. The offer ranges from script reading and feedback, through to longer-term mentorship and playwriting classes for brand new writers.

Over 150 artists and participants have engaged so far, and we’ve raised £17,000 in support for these projects from our friends, members and supporters. We’re thrilled and hope that with additional support we can keep these activities running throughout the lockdown and beyond: theatre ecology has been totally transformed and may not be the same again for a very long time.

How were you able to put the programme together in such a short space of time?
I took over as Artistic Director at HighTide last October and we were in a period of reflection about who we’re here to support, why and how. We were gearing up to announce a series of artist development programmes in April and then global circumstances overtook us. Lighthouse took the key principles of those original ideas and reworked them for these times.

What can audiences expect?
The majority of the programme is very much artist-focussed and we hope that some of the new work we’re supporting now will be seen and celebrated in our next HighTide Festival, still planned for Spring 2021, when we hope circumstances will allow us to bring artists and audiences together again. Ahead of that however, we invited the six playwrights we were already working with for the Festival (Morgan Lloyd Malcolm, Dawn King, Ben Weatherill, Aisha Zia, Debris Stevenson and Sonia Jalaly) to create quick creative responses for a monologue series shared on our website and social media, Love in the Time of Corona. In keeping with hope being at the centre of the programme, these monologues explore the compassion and community we all need to get through a crisis.

What would you like the Lighthouse Programme to achieve?
We’ve already achieved what we set out to in a way – many, many artists and participants have come back to us to say these small gestures have helped them feel less isolated. Our hope now is that we can widen that impact, sustain these strands and add more, for as long as possible.

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Kirsty Herrington on RssKirsty Herrington on Twitter
Kirsty Herrington
Kirsty Herrington is a blogger who fell in love with theatre at a young age and spent the majority of her student loan on tickets to West End Shows while she was at university. She began reviewing regularly for fellow MyTheatreMates’ sites Love London Love Culture, Jonathan Baz Review, London Theatre Reviews and Mind the Blog before setting up her own site From Page to Stage in 2018. With a background in journalism and a keen enthusiasm for both plays and musicals, Kirsty often reviews productions in London and East Anglia. She tweets via @kherrington83.
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Kirsty Herrington on RssKirsty Herrington on Twitter
Kirsty Herrington
Kirsty Herrington is a blogger who fell in love with theatre at a young age and spent the majority of her student loan on tickets to West End Shows while she was at university. She began reviewing regularly for fellow MyTheatreMates’ sites Love London Love Culture, Jonathan Baz Review, London Theatre Reviews and Mind the Blog before setting up her own site From Page to Stage in 2018. With a background in journalism and a keen enthusiasm for both plays and musicals, Kirsty often reviews productions in London and East Anglia. She tweets via @kherrington83.

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