Intra Muros Q&A video: What compelled director Ché Walker to take to the stage himself for the first time in 11 years?

In Features, Interviews, London theatre, Native, Opinion, Plays, Quotes, Special Events, Sticky, Ticket recommendations, Video by Terri PaddockLeave a Comment

What does theatre mean to you? How do actors marry up the dual emotional demands of their chosen profession? How many ‘characters’ or versions of ourselves to the rest of us play in our own lives?

Those are some of the questions which are raised in Alexis Michalik‘s fascinating play Intra Muros and which we also tackled in the post-show discussion I chaired recently at the Park Theatre.

In the play, first seen in Michalik’s native France in 2017, ageing thespian Richard is preparing to direct his first theatre class in a maximum security prison, assisted by his former-actress ex-wife Jane and an inexperienced social worker called Alice. When only two inmates turn up he decides to go ahead with the class nonetheless. As time-shifting proceedings develop, we discover no one is there by accident.

The magnificent meta-theatricality of the UK premiere production is enhanced by offstage director Ché Walker taking on the role of onstage director Richard. Like Michalik, Ché started his career as an actor – but this is his first time onstage himself in 11 years. He’s now internationally renowned as a writer and director, whose own multi-award-winning credits include Been So Long, Flesh Wound, Frontline and, most recently, Time Is Love, which had its UK premiere at the Finborough Theatre in January.

Walker opens the play with a rousing direct address, house lights still on, audience still settling in their seats, including the provocative “what does theatre mean to you?” question, to which we’re all ordered to shout out our answer.

Taking this lead, I ended the post-show Q&A by asking the company to answer this question themselves. Along the way, we also got some fascinating insights into approaches to acting, ‘wanky’ rehearsal exercises, the accuracy of the play’s portrayal into prisoners’ life and the nature of time.

“An actor assumes two lives”

For the discussion, I was joined by Ché and fellow actors Emma Pallant, Declan Perring and Summer Strallen as well as Rio Kai, who wrote and plays, live onstage, music and who designed the production’s soundscape. We also delved into the importance of music here and, for Summer, how refreshing it is for her, as a four-time Olivier Award-nominated musical theatre performer, not to have to sing or dance in Intra Muros, though she does manage to “get her leg in”. Summer’s adorable dog Pebbles also took part in the post-show

Intra Muros is the second of two of Michalik imports premiered in over the past month in the UK (and translated by his mother), both presented by Adam Blanshay Productions. And you have a chance to see both in London this month.

Michalik’s Edmond de Bergerac, inspired by Edmond Rostand‘s struggles in writing the 1897 French classic Cyrano de Bergerac – think France’s answer to Shakespeare in Love – opened at Birmingham Rep last month and is currently touring, coming to London’s Richmond Theatre from 30 April to 4 May. It’s directed by Birmingham Rep artistic director Roxana Silbert and stars Freddie Fox, Josie Lawrence, Henry Goodman and Chizzy Akudolu.

So two immediate chances to see why the multiple Moliere Award-winning Michalik is quite such a big deal in France, and increasingly so here. I predict that we’ll see much more from him in future – and welcome it.

Intra Muros runs until 4 May 2019 at the Park Theatre, Clifton Terrace, Finsbury Park, London N4 3JP, with performances Mondays to Saturdays at 7.30pm, Thursday and Saturday matinees at 3pm. Tickets are priced £16.50-£32.50. CLICK HERE TO PURCHASE!

Q&A video

More from the Q&A

Don't miss our live-tweeting from the Intra Muros discussion, plus more photos and video.

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Terri Paddock
Terri Paddock runs MyTheatreGroup, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
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Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on LinkedinTerri Paddock on TwitterTerri Paddock on Youtube
Terri Paddock
Terri Paddock runs MyTheatreGroup, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.

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