#LoveTheatreDay 2015: The overwhelming and the inspiring

In Features, London theatre, Musicals, News, Opinion, Photos, Plays, Quotes by Terri PaddockLeave a Comment

In case it escaped your notice, the second annual #LoveTheatreDay (that’s opposed to last year’s #LoveTheatre Day, for the record) took place last Wednesday. I’d had it marked in my calendar for months and had fully intended to indulge fully, cognisant that last year I’d overdosed fairly quickly, feeling Twitter punchdrunk after a few hours. This year would be different.

And so it was. This year, I lasted only a few minutes. I had a meeting first thing on Wednesday and, logging on by mid-morning, the tweets on the hashtags were already racing by faster than I could click on, let alone read, them. After being moved by the number in French, drawing strength from the joy of theatre and artistic expression in the wake of the #ParisAttakes, I gave up, reasoning that I’d catch up after the event when I’d be able to scroll back through them at a more leisurely pace of my own.

Not so. When I returned to Twitter on Thursday, the hashtag was still busy with others like me of the ‘I missed it but am attempting to catch up now’ mentality contributing. I turned it off again. The solution was to get an overview, I decided. So I turned to my trusty tool Tweetreach and paid to run a “snapshot” report, which generally provides you with activity on a topic or hashtag, including the farthest-reach tweets, over a seven-day period.

Only a fraction of the traction generated by #LoveTheatreDay 2015

The reach data on the #LoveTheatreDay – as shown – was certainly impressive, until I realised that the report Tweetreach delivered me didn’t cover the day in question (Wednesday 18 November) at all. Instead, it was only showing me about seven hours of the day after when I ran the report. I contacted Tweetreach about the “error” and to try to re-run the snapshot.

Not possible, Betsy at Tweetreach informed me. Even their most sophisticated trackers are only able to gather a maximum of 5,000 tweets over a set period. The company’s best estimate was that #LoveTheatreDay had generated well over 70,000 tweets on the 18th. Small wonder that theatre lovers propelled got the hashtag trending in cities and countries around the world: a true global phenomenon.

A real achievement. But not in my most eager, curious or diligent frame of mind am I willing to troll through 70,000 tweets! (Is this too much a good thing for anyone?)

#LoveTheatreDay 2015 trended globally and generated well over 70,000 tweets in 24 hours

There are, of course, others who tried to “report” from the midst of the Twitterstorm on the day – god, help them – including official media partner the Guardian with its live blog. In the end, I spent a good hour or so scrolling back through the tail of the hashtag on 18 November, by which time we in the UK had all gone to bed and the frenzy had reached the west coast of the United States.

What struck me was how different these tweets were from those, dominated by theatres and theatre makers, during the UK working day. Twitter UK and the Guardian have done a superb job of engaging the profession in #LoveTheatreDay. And, as a result, you get a huge amount of quite professional tweeting around a content timetable – #Backstage (10am-12pm), #AskATheatre (3-5pm) and #Showtime (#7-10pm).

The US west coast tail end I dipped into displayed precious little of that: instead, it was dominated by high schools, students and amateur groups, who took to Twitter to say, in often extremely personal terms, why they truly love theatre, how it has changed their lives – or in many cases, saved their lives: giving them purpose, meaning, love, beauty, hope, friendship, family, a sense of belonging. I got a little tearful reading some of these … and remembering my own first discovery of theatre as a life-changing force for good.

These tweets, some of which I’ve gathered below, are a potent reminder that for me – and, I imagine, for you, if you’re reading this – every day is love theatre day. We don’t need Twitter to tell us that, but I’m glad that they have done so loudly.

How much do you love theatre?

#LoveTheatreDay 2015
// <![CDATA[
!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=/^http:/.test(d.location)?’http’:’https’;if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+”://platform.twitter.com/widgets.js”;fjs.parentNode.insertBefore(js,fjs);}}(document,”script”,”twitter-wjs”);
// ]]>

Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on LinkedinTerri Paddock on TwitterTerri Paddock on Youtube
Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
Read more...

Tags: , , , , , , ,

Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on LinkedinTerri Paddock on TwitterTerri Paddock on Youtube
Terri Paddock
Terri Paddock runs the Terri Paddock Group, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She is renowned for her 'legendary' post-show Q&As and also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.

Leave a Comment