‘Lovely imagining of what was & might have been’: MAD AS HELL – Jermyn Street Theatre

In London theatre, Opinion, Plays, Reviews by Laura KresslyLeave a Comment

Jermyn Street Theatre, London – until 24 February 2018
Guest reviewer: Kudzanayi Chiwawa

This is the story of little known Eletha Barrett (Vanessa Donovan), a Jamaican woman who was married to film star Peter Finch (Stephen Hogan), for his final 12 years. It begins shortly after Jamaica’s independence and highlights the personal and public struggle of the interracial couple against the backdrop of 60s and 70s politics.

The premise of the story is intriguing but the exposition and first half are slightly underwhelming, due perhaps to there being a blackout after every scene covering set changes that are much too slow. It’s not the actors at fault, but the monotony of it works against their performances.

Alexandra Mardell owns the space as the enigmatic Liverpudlian and wannabe star Debbie. Mardell injects much-needed energy, and suddenly it feels as if we’re off. Although seen only twice throughout, this character appears to be written with more nuance and complexity than Eletha.

The second half is far more electric; Donovan and Hogan imbue a real weight to their characters’ relationship, supporting each other with greater pace and passion.

The only real disappointment is that as Hogan’s Finch builds wonderfully to the “performance of his life”, it appears Mad as Hell is a story about Peter Finch, with Eletha Barrett peripherally woven in. It’s ironic given the social and political references, and a shame, as Donovan is beautifully suited to the part, and more than capable of handling it.

Overall you feel that this play, its actors, the stunning visuals, and movement, all deserve a much bigger space. Writers Cassie McFarlane and Adrian Hope have created a lovely imagining of perhaps what was and what might have been.

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Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly on RssLaura Kressly on Twitter
Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.

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