‘There really is nothing quite like it’: MAMMA MIA! THE PARTY – The O2 ★★★★★

In London theatre, Musicals, Opinion, Reviews, Ticket recommendations by Jonathan BazLeave a Comment

The O2, London – until 16 February 2020

Forget a four hour flight, airport transfers and the like because now Mamma Mia! The Party is whisking audiences straight into the heart of the Greek island of Skopelos – and all within London’s O2 Arena. Despite a lengthy (Schengen-esque?) queue for punters on arrival, from the moment one steps foot into the venue the transformation and indeed the transportation into the traditional Greek taverna is immediate and this extraordinary evening begins.

The story is set in Nikos’ Taverna on Skopelos, the island that was indeed the location for the exterior shots of the first Mamma Mia! movie franchise. Since the island is now so famous, Nikos (played by Fed Zanni) explains how business has been booming and that tonight we ‘the audience’ are his diners, his punters and indeed his audience for the evening too.

While the plot line is nothing complex Sandi Toksvig has written a script that keeps the mood light hearted, funny and sharp, providing a perfect framework for the songs that everyone knows and loves, as wonderfully corny dialogue that seamlessly segues the numbers. The accompanying three-course meal proves to be as stunning as the ABBA songs – with food that is well prepared, served and tastes fantastic. Design from Bengt Fröderberg is a wonder in itself not to mention the vision of Björn Ulvaeus and Ingrid Sutej in creating such a perfect transformation.

The cast are also an equally perfect fit to each of their respective roles. Special mention must go to Zanni, the perfect master of this Greek public house. His powerhouse vocals are sensational particularly in ‘Money, Money, Money’ which even sees the centre-piece water fountain dancing along throughout.

Julia Imbach gives a performance that is fun and fitting as Nikos’ daughter Konstantina, delivering an epic take on ‘The Winner Takes It All’. There is similarly wonderful comedy and vocals from Linda John-Pierre, the deliciously delightful Deborah, the Taverna’s Head Chef. The entertainment is non-stop throughout with the waiting staff occasionally bursting into fully choreographed numbers and there is even the unexpected treat of some aerial circus from Elin König Andersson.

As with any ABBA themed production, it’s all about the songs. In this case the classics combined with some new additions by Benny Anderson & Björn Ulvaeus together in part with Stig Andersson are delivered by the ingenious John Donovan whose band not only constantly move around the Taverna but provide backing vocals throughout, adding a flawless and powerful musical soundtrack to the evening. And as The Party turns into an after-dinner 1970s disco, Donovan’s band just gets better and better.

There really is nothing quite like Mamma Mia! The Party. The fourth wall between audience and artist doesn’t exist for a moment and the combination of theatre, dining and entertainment is of the highest order. Smash a plate, sing a song, but above all grab a ticket, because after a night in Nikos’ Taverna you truly will be yelling from the rooftops, Thank You For The Music!

Booking until 16th February 2020
Photo credit: Dave Benett
Reviewed by: David Davidson

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Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.
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Jonathan Baz on RssJonathan Baz on Twitter
Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends far beyond the capital to include regional theatre as well as occasional forays into Europe and the USA. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan also sits on the judging panel of London's Off West End Awards ("the Offies") and has published numerous interviews and features with leading figures in the film and theatre world. Away from the arts, Jonathan is a practising Chartered Accountant with a number of clients in the entertainment industries. He blogs at www.jonathanbaz.com and tweets at @MrJonathanBaz.

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