The Normal Heart at the National Theatre. © Helen Maybanks

Year in review: Ian’s 10 favourite shows of 2021

In Features, London theatre, Musicals, Opinion, Other Recent Articles, Plays by Ian FosterLeave a Comment

Here are 10 of my favourite shows, both online and onstage but fully acknowledging that I saw a lot less than usual, I might actually have broken the back of this theatre obsession – it just took a global pandemic to do it…!

1. Anything Goes, Barbican
A joyous shot in the arm that felt like the perfect welcome back into the theatre this summer. Naturally, it is coming back next year to the Barbican and a UK tour but will it be led by the irrepressible Sutton Foster? You have to hope so as she was the epitome of Broadway class.

2. The Normal Heart, National Theatre
Almost unbearably moving, Larry Kramer’s 1985 loosely autobiographical play got a masterful revival from Dominic Cooke, making the most of the Olivier being in the round and blessed with a cast full of commitment and compassion.

3. Constellations, Vaudeville Theatre
Perhaps predictable for those that know me, but the four-way revival featuring Omari Douglas & Russell Tovey and Anna Maxwell Martin & Chris O’Dowd and Sheila Atim & Ivanno Jeremiah and Peter Capaldi & Zoë Wanamaker turned out to be a great way to revisit this play.

4. Cabaret, The Kit Kat Club at the Playhouse Theatre
At least there’s a sense that they’re earning a bit of their hugely inflated ticket prices, as Rebecca Frecknall and Tom Scutt’s reinvention of the theatre is matched with a fearless reinterpretation of the classic musical which proves hauntingly effective.

5. What They Forgot To Tell Us (and other stories), BOLD Elephant
One of the more unexpected theatrical experiences of the year. I had no idea of what to expect and no real idea of why it moved me quite as much as it did.

6. DJ Bazzer’s Year 6 Disco, Golden Goose Theatre
Gently immersive and quietly heartbreaking, this playful and powerful monologue really took me by surprise, totally captivating as Jack Sunderland’s emotionally broken Baz tries to chase the demons of both the past and present.

7. Still Life: Untold Stories of Nottingham Now
5 short stories of lockdown life in Nottingham turned out to be hugely affecting, featuring a wide range of the intimately human stories that make up a global pandemic and star performances from the likes of Frances De La Tour and Julie Hesmondhalgh.

8. Mum, Soho Theatre
Led by a scorching performance from Sophie Melville, Morgan Lloyd Malcolm’s new play took a sledgehammer to Insta-perfect narratives of new motherhood to offer up something of a nightmare of early parenthood. Absolutely exhilarating.

9. Gay Generations, White Bear Theatre
With a loose focus on older LGBT+ narratives, this double bill of new gay plays was quietly impressive and in the case of Michael McManus’ A Certain Term made me sob like a baby

10. Romeo and Juliet
The National led from the front in lockdown, able to parlay its resources into transforming its intended stage production of this teen tragedy into a deluxe filmed version with a delicious cast led by Jessie Buckley and Josh O’Connor.

Adblock test (Why?)

 

Year in review: Ian’s 10 favourite shows of 2021

 

From @NationalTheatre to @goosetheatre & @kitkatclubldn: @OughtToBeClowns #top10 favourite shows of 2021. #YearInReview #theatre2021 #londontheatre

Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
Read more...

Tags: , , , , , , , , , , , ,

Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."

Leave a Comment