Press Pass: All the Motown reviews plus starry livestream, news and interviews

In Features, Interviews, London theatre, Musicals, News, Opinion, Photos, Quotes, Reviews, Ticket recommendations by Terri PaddockLeave a Comment

Yes, I am posting this #PressPass at gone 4am – blame those incessant Motown hits that keep spinning round and round and round my head after attending tonight’s (technically, now last night’s) West End premiere of the Broadway hit, Motown the Musical.

You will know, of course, that this is the (company?) bio-musical telling the story of the legendary American record label of the same name, and more particularly, of the songwriter turned semi-reluctant mogul Berry Gordy who founded said record label on an $800 loan and abundant reserves of determination.

But do you know what the critics, and other press, said? Well, as of 4am – and I’ll update when more are published at a rational hour – the overnight reviews are largely positive, buoyed on a wave of nostalgia and appreciation for the Motown sound. The show’s detractors, including the Guardian‘s esteemed Michael Billington, were decidedly unimpressed by the patchy book, which even the its fans admit is it’s “weak spot”.

Here’s a snapshot (with links) of what’s out, plus other opening news, interviews and pics – Mary Wells was sat just behind me and, I can tell you, she really did look AMAZING – and a West End live-streaming first.
Motown the Musical is currently booking at the West End’s Shaftesbury Theatre until 18 February 2017.

OVERNIGHT REVIEWS

TELEGRAPH – ★★★★ 

Dominic Cavendish: Never mind the sometimes cluncky script, superb performances and a gilded back-catalogue make this musical an urgent rallying cry for us all to rediscover our Motown mojo… Ain’t no mountain high enough to match the towering achievement of Motown Records… So likeable is the tireless Cedric Neal, a sizzling-hot American import who sings, dances and anchors scene after scene, that you’re left persuaded by the flattering portrait of Gordy’s integrity.

telegraph.co.uk

GUARDIAN – ★★

Michael Billington: Given that Berry Gordy has written, co-produced and is the lead character in this imported American musical, it is clear that the ego has landed… The show’s 50 songs are put across with plenty of pizzazz but … leaves the key questions unanswered… I couldn’t help comparing the show with the much superior Memphis: the Musical, recently at the same theatre, which showed how a pivotal moment in pop history helped to shift racial attitudes.

theguardian.com

MY THEATRE MATES > TheatreCat – ★★★★★

Libby Purves: Rejoice! Beyond the retro panache lies a thing of wit, dry intelligent self-knowledge… The joy of this show is that for all the celebration, Mr Gordy does not spare himself: he frames the show – with nicely hokey domestic flashbacks – in the moment of its 25th anniversary in 1983, when artists who had left the label for big money gathered to mark the day, and the miffed 55-year-old founder refused to go

mytheatremates.com

THE STAGE – ★★★★

Mark Shenton: Motown the Musical may just be the ultimate jukebox musical. Short of putting a physical jukebox on the stage and playing a succession of the records once minted by the famous Detroit-based record label… musicals don’t get more more like a parade of wall-to-wall hits than this….The music is so thrillingly and beautifully rendered, this jukebox trip down memory lane just can’t fail

thestage.co.uk

Click here to BUY tickets to MOTOWN THE MUSICAL!

RADIO TIMES

Tony Peters: While there’s no denying the quality of the music, the show hangs the hits on a perfunctory storyline. This is basically the Berry Gordy story… So how does it stack up against other jukebox musicals? Not as good as Jersey Boys, but certainly not as bad as Thriller Live. And in the end it’s hard to be snitty about a genre that the punters clearly want.

radiotimes.com

BRITISH THEATRE – ★★★★★

Douglas Mayo: If Neal’s performance embodies even just a fraction of Gordy’s real-life zeal, it is easy to see why the man conquered the music scene… As Diana Ross, Lucy St Louis is a knock-out… Motown breaks free of the normally constraints of a jukebox musical. It is a joyous, exuberant celebration of life, of challenge and ultimately of success.

britishtheatre.com

OPENING LIVESTREAM

In a West End first, the producers of Motown teamed up with the Telegraph to livestream the opening night action at the Shaftesbury Theatre, including red carpet arrivals and interviews with Motown founder Berry Gordy and other special guests. (Hopefully, they’ll also load the on-demand replay soon, in case you missed it – as I did, actually being at the show!)

telegraph.co.uk

NEWS & INTERVIEWS

PHOTOS: Mary Wilson, Smokey Robinson and Berry Gordy at Motown premiere

Rebecca Davison: The Supremes star Mary Wilson made sure that all eyes were on her on Tuesday night when she attended the launch night of Motown: The Musical. The 72-year-old legendary performer looked incredible as she posed for some snaps outside London’s Shaftesbury theatre, alongside Berry Gordy and Smokey Robinson…

dailymail.co.uk

Smokey Robinson wrote Motown hit ‘in 30 minutes’ 

Tim Masters: Motown legend Smokey Robinson has revealed he wrote his first major hit in just half an hour. Performed by his group The Miracles in 1961, Shop Around was the first Motown record to sell a…

bbc.co.uk

WATCH: Berry Gordy says ‘Motown was a fairytale’ 

Rebecca Jones: Motown founder Berry Gordy describes his success as “a fairytale”, as a musical based on the label’s biggest hits opens in London.

bbc.co.uk

Smokey Robinson: There will never be another Motown 

Smokey Robinson has said that there could “never” be another Motown. Speaking at the Shaftesbury Theatre in London ahead of the opening night of Motown: The Musical, singer-songwriter…

belfasttelegraph.co.uk

Cast interview: Cedric Neal, Lucy St Louis and Charl Brown

Dominic O’Hanlon: Motown the Musical prepares to officially open this week at the Shaftesbury Theatre following three weeks of preview performances. The musical comes direct from a Tony nominated run on…

londontheatre.co.uk

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Terri Paddock
Terri Paddock runs MyTheatreGroup, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.
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Terri Paddock on FacebookTerri Paddock on InstagramTerri Paddock on LinkedinTerri Paddock on TwitterTerri Paddock on Youtube
Terri Paddock
Terri Paddock runs MyTheatreGroup, which provides content and social media marketing services for theatre clients across channels including MyTheatreMates.com, StageFaves.com, Stage Talk and TerriPaddock.com. Previously,
Terri Paddock founded WhatsOnStage.com and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. Terri is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent, The Times and other national publications. She also produces the annual Critics' Circle Theatre Awards and acts as a digital, content strategy and event consultant for theatre, producers and other clients. She tweets about theatre at @TerriPaddock.

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