CARLOS ACOSTA – Touring

In Regional theatre, Reviews by Matt MerrittLeave a Comment

There’s a sense of anticipation that overtakes you when you just know the performance you are about to witness will be something special. I’ve been longing to see Carlos Acosta dance for some years now and when I discovered he’d be performing the very
personal On Before at the Mayflower I knew I’d have to be in the audience.

I decided to go into this performance open-minded for a change (normally I’ll do a fair bit of research before seeing a performance) and let the dance tell any story that existed here. From the off it was clear that the thread holding a series of disparate dances together was watching a passionate relationship disintegrate. To tell a story like this without words
can be difficult but thankfully Acosta is a master at using movement to convey a message and he’s matched by the wonderful Zenaida Yanowsky in this regard.

They blend beautifully in the titular opening dance, but come into their own with sole performances. Acosta’s first solo, the frenetic Memoria sets the stage alight. Contained in a small square of light he contorts, twists and jerks in a manner that is reminiscent of a capoeira master. The sense of contained energy is palpable and as the pace ups and the movement becomes ever more aggressive I realise I’ve never heard an audience quite so silent.

Yanowsky reappears in Sirin
a piece created for her and choreographed by her brother Yuri. She’s like a
caged bird, longing to fly but at the same time afraid of the world outside. It
paints a beautifully sad picture of the two characters we’re following.

The production makes use of sound and visuals to startling
effect as the story plays out, drops of rain are projected across the stage,
the two dancers moving among them before pre-recorded video fills our eyes with
close ups of the rippling muscles in their movement. The finale is accompanied
by the Southampton Choral Society who have drifted through the performance
observing, but never intervening, in the often mesmeric movement in front of
them.

This then is a masterclass in movement and I for one left
the theatre exhilarated. I may not know much about dance, but I understand
enough to know this was a special evening and along with the rest of the
audience I was lucky enough to see two dancers at the top of their game!

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Matt Merritt
Matt has been a theatre fan since childhood, regularly visiting theatres in his native Portsmouth and surrounding areas. He has been reviewing for some time, initially for local press outlets before starting his own site, Sitting in the Cheap Seats, in 2013. These days he can generally be found in the front row of the balcony in a theatre in the Southwest (or on trips to London), quietly thankful he is short enough not to notice the lack of legroom!
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Matt Merritt on FacebookMatt Merritt on RssMatt Merritt on Twitter
Matt Merritt
Matt has been a theatre fan since childhood, regularly visiting theatres in his native Portsmouth and surrounding areas. He has been reviewing for some time, initially for local press outlets before starting his own site, Sitting in the Cheap Seats, in 2013. These days he can generally be found in the front row of the balcony in a theatre in the Southwest (or on trips to London), quietly thankful he is short enough not to notice the lack of legroom!

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