REVIEW ROUND-UP: The Seagull at the Lyric Hammersmith

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Anton Chekhov’s classic play The Seagull is brought to modern life in a new version, adapted by Simon Stephens and directed by Sean Holmes. It’s running at London’s Lyric Hammersmith until 4 November 2017. Here’s what critics have been saying about it so far….

The Guardian: ★★★★ “The indefatigable Simon Stephens – definitely the same as Heisenberg’s author – has written an incisive 21st-century version of Chekhov. Sean Holmes, artistic director of the Lyric, has given it a vivid production.”

The Telegraph: ★★ “We don’t feel the (Russian) past brought alive – nor, despite the laudable diversity of casting, do we much feel the present on our pulse either.”

London Theatre.co.uk: ★★★★★The Seagull soars high at the Lyric Hammersmith, with Simon Stephens’ haunting adaptation breathing new life into Anton Chekhov’s text.”

Time Out: ★★★★ ” this is a ‘Seagull’ that really spreads its wings, gaining power and stature until it’s almost overwhelming. It feels explicitly interpretated as a play about art and obsession, but that doesn’t make it cerebral and bookish, but mountingly nerve-wracking and intense.”

British Theatre.com: ★★★★★ “A rare production that has both style and substance, Stephens and Chekhov have made a winning match.”

Broadway World: ★★★★ “Chekhov’s gorgeous masterpiece is given a dynamic reinvention by the Olivier Award-winning Simon Stephens at Lyric Hammersmith.”

Evening Standard: ★★★ “A potentially ‘dusty’ classic has thus been refreshed and rebooted for a younger generation and there’s absolutely no harm in that, even if the play has lost something of its ineffable majesty en route. But maybe that’s the point.”

The Upcoming: ★★★ “Despite some uneven acting, The Seagull manages to strike the balance between humour, warmth and poignancy.”

British Theatre Guide: “An over-familiar play has been re-energised, thankfully not traduced, the attention to detail is comically tuned, and the big set soliloquies ably done.”

Essential Surrey: ★★★ “This Lyric production is worth catching, but one comes away with the sense that it could have been so much better.”

Mature Times: “Sean Holmes, artistic director of the Lyric, Hammersmith, is using a new version by Simon Stephens which sets The Seagull firmly in the 20th century and in so doing takes the Chekhov out of Chekhov as it were.”

 

 

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Emma Clarendon
Emma Clarendon studied drama through A-Level before deciding she was much better suited to writing about theatre than appearing onstage. She’s written for a number of online publications ever since, including The News Hub and Art Info. Emma set up her own blog, Love London Love Culture, in April 2015 and tweets at LoveLDNLoveCul.
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Emma Clarendon on FacebookEmma Clarendon on InstagramEmma Clarendon on RssEmma Clarendon on Twitter
Emma Clarendon
Emma Clarendon studied drama through A-Level before deciding she was much better suited to writing about theatre than appearing onstage. She’s written for a number of online publications ever since, including The News Hub and Art Info. Emma set up her own blog, Love London Love Culture, in April 2015 and tweets at LoveLDNLoveCul.

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