‘Touches on subjects that feel so powerfully resonant today’: SHIFT+ALT+RIGHT – ALP Musicals (Online review)

In Musicals, Online shows, Opinion, Reviews by Ian FosterLeave a Comment

Theatre folk are nothing if not resourceful and adapting to the pandemic naturally demands creative thinking. But it takes something special to be at the vanguard of such a movement and that is where Adam Lenson and ALP Musicals find themselves as they lead new musical theatre into a brave new world.

Written and composed by Hilmi Jaidin and directed by Lenson, Shift+Alt+Right is a brand new digital musical that was created to exist online in a self-described hybrid model that blends live performance from a remote company of four and video work from a technological hub, with no two shows being exactly the same.

I am loathe to say too much about the show as over its 50 minutes it manages to pack a lot in and there’s an element of twisty surprise (although it was only once I had started this review that the point of the title actually clicked with me, d’oh!). What is great about Jaidin’s writing is how unafraid of going dark he is, touching on subjects that feel so powerfully resonant today.

What I will say is that Max Alexander-Taylor is a revelation as Jay, a young man having a mare of a day and seeking refuge in an online world that seems to offer more than anything IRL. Joanna Clarke, Ashley Goh and Andrew Langtree support him well as three various important figures in his life and the cumulative effect of all this endeavour proves rather thought-provoking, especially in terms of what one has been led to expect when seeing a musical.

A quick note too on the impressiveness and affordability of ALP’s approach. £5 is a brilliant price point and the option to buy solidarity tickets, for those experiencing financial instability, at the same time is something that feels much more realistic than, say, buying another ticket at Donmar prices, as commendable as their scheme is.

I’d also recommend the post-show Zoom Q&A sessions – last night’s went on longer than the show itself and was blissfully good fun, just like being in the bar afterwards and relishing in the communal joys of theatre. Plus Jaidin seems like the most adorbs person ever – how could such dark material have emanated from him…! At a moment when the future of musical theatre feels up in the air, it is exciting to find people who have a clear vision of what it could be.

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Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."

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