Tristan Bates Theatre, London – until 21 March 2020
Written by Dameon Garnett in response to the ongoing debate around free speech, Sticks and Stones is a fascinating two-hander that explores how we talk about issues of race, class and privilege in 2020 Britain. In particular, the play asks where we draw the line between free speech and hate speech, and to what extent the opinions we share should be policed and punished by society.
Afua (Eva Fontaine) is a senior manager in a secondary school. Tina (Catherine Harvey) works in the kitchen. The two are friends, who socialise outside work and whose sons used to play together as children. When Afua is advised of offensive jokes shared by Tina on her public Facebook page, she has to take action – but what begins as a professional dispute soon turns personal, and escalates into a bitter conflict that brings to the surface previously unspoken resentments on both sides.
The play is only an hour long, but that short time is full to bursting with persuasive, thought-provoking lines of argument, and the traverse staging by director Rasheka Christie-Carter means that the debate pings back and forth across Afua’s office like a tennis match (there’s even a change of ends halfway through). There’s a discussion about what privilege means, about what constitutes hate speech, and about why it’s acceptable for Afua to be pictured at a protest march in a controversial outfit, but not for Tina to share a few jokes with her friends online. And, crucially, though their clash ends with a clear victor, the behaviour of both parties during the discussion prevents the audience deriving much satisfaction from her triumph.
Garnett’s skilful writing is brought to life in two powerhouse performances from Fontaine and Harvey; the bitter tension between the two women, particularly in the second half of the play, is so convincing it becomes impossible to look away. Garnett has created two diametrically opposed characters, but neither is so extreme in their views that we can’t relate to them or recognise in them people we know, either in real life or online. Consequently, it doesn’t take long for the audience to become completely engaged in their argument, whether we’re firmly on one side throughout or shifting back and forth as the play goes on.
Sticks and Stones plays out on a small stage a much bigger debate currently rumbling – and occasionally raging – throughout Britain. For those who’ve already picked a side in that debate, the play is unlikely to win any hearts and minds for the opposing team. But this compelling, provocative drama certainly asks some uncomfortable questions, which should at least challenge the views we hold, and make us aware of the potential damage such bitter division can cause.
Sticks and Stones is at Tristan Bates Theatre until 21st March.
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