“What angel wakes me from my flowery bed?” A plethora of productions of A Midsummer Night’s Dream, that’s what.
Love London Love Culture rounds up the reviews for Dominic Hill’s production of Shakespeare’s comedy A Midsummer Night’s Dream at Regent’s Park Open Air Theatre.
Carrying on a new series, our editor Lisa Martland has picked out her Top Picks including three musicals: The Secret Diary of Adrian Mole Aged 13¾ The Musical at the Ambassadors Theatre (Libby Purves), Fiver at Southwark Playhouse (Emma Clarendon) and The Color Purple at Curve Leicester (No Billington).
Joyful, filthy, modern and messy – A Midsummer Night’s Dream at the Globe will no doubt separate those who like their Shakespeare more reserved from those desperate for fresher takes on these old plays, but this one is fun, vibrant, socially conscious and current, with excellent performances.
Carnival reaches Southwark in this vibrant new A Midsummer Night’s Dream, with a lively cast &and colourful designs – and don’t get comfortable if you’re a groundling.
Amidst editor Lisa Martland’s seven Top Picks from the last week of theatre are Libby Purves’ description of her blissful time at Nicholas Hytner’s immersive production of A Midsummer Night’s Dream at the Bridge Theatre and Aleks Sierz’s thoughts on the Kiln Theatre’s new opening, Samuel Adamson’s take on A Doll’s House in Wife.
Actor Riad Richie chatted to Emma Clarendon about starring in Shakespeare in the Squares’ production of A Midsummer Night’s Dream.
Nicholas Hytner gives us an utterly inspired take on A Midsummer Night’s Dream at the Bridge Theatre, with Gwendoline Christie in stupendous form.
Don’t leave it to the last minute to get into the auditorium for the Bridge Theatre immersive, promenade production of A Midsummer Night’s Dream because there is stuff going on before the play officially starts.
As part of her ongoing post-show Q&A series, on Friday 26 July 2019, Mates co-founder Terri Paddock is heading to Oxford to take to the streets with Creation Theatre for an immersive Shakespeare. Got any questions?
It is the slight rearrangement of the text and its implication for the female characters that is Nicholas Hytner’s most notable achievement here in A Midsummer Night’s Dream at the Bridge Theatre.
A Midsummer Night’s Dream at the Bridge Theatre is a dream of a Dream. One expected fun from the combination of Nicholas Hytner, a roiling mass of promenaders in the pit and a Bunny Christie design which makes the most of this fresh big theatre’s technical tricks.
The open air season will soon be upon us. “If winter comes, can spring be far behind? as Shelley puts it. And no one does open air theatre with more hopeful enthusiasm than the lovably daft British.
There is plenty to like in Tobacco Factory Theatre’s A Midsummer Night’s Dream, a brisk, crisp and fully accessible take on the play that should provide perfect introductions to a Shakespeare novice.
Gwendoline Christie, Oliver Chris, David Moorst and Hammed Animashaun lead the cast as Titania, Oberon, Puck and Bottom in Nicholas Hytner’s production of A Midsummer Night’s Dream which has its first performance in the Bridge Theatre’s immersive format this summer on 3 June 2019.
Shakespeare’s Globe has announced its summer season 2019. The celebration and interrogation of ‘our sceptred isle’ through Shakespeare’s history plays continues with Henry IV Parts 1 and 2, and Henry V, while elsewhere there is A Midsummer Night’s Dream, The Merry Wives of Windsor, Ben Jonson’s Bartholomew Fair, and the return of 2018’s As You Like It.
The 2019 season at Regent’s Park Open Air Theatre will feature Thornton Wilder’s Pulitzer Prize-winning play Our Town directed by Ellen McDougall and Tim Rice and Andrew Lloyd Webber’s Evita, staged by Jamie Lloyd.
Europe’s first ever pop-up Shakespearean Theatre – Shakespeare’s Rose Theatre – has announced its expansion for 2019 with a summer residency of nine weeks at Blenheim Palace in Oxfordshire.
After a sell-out run in June this year in which Laura Linney made her London theatre debut, she will return to the Bridge Theatre to reprise the title role in Richard Eyre’s production of My Name is Lucy Barton.
It honestly doesn’t let up. At all. After an Edinburgh-focused August, and a ‘keep myself busy at all costs’ September (mostly to avoid the hell that is rush hour transport), October has rolled in, bursting at the seams because there is too much to do.