Thrillingly balancing dangerous drama and rapturous romance, John Cranko’s Romeo and Juliet enthrals once again in this grandly staged, meticulously recreated hallmark production from The Australian Ballet.
FROM DOWN UNDER: The Australian Ballet’s Sylvia in Melbourne
Brilliantly bolstered and boosted, Stanton Welch’s new Sylvia enlivens and enhances the 1876 original for an evening of pure theatrical enchantment.
FROM DOWN UNDER: The Australian Ballet’s Alice’s Adventures in Wonderland in Melbourne
The Australian Ballet heads straight back down the rabbit hole, returning award-winning 2017 hit Alice’s Adventures in Wonderland to the Melbourne stage for a very welcome encore season.
FROM DOWN UNDER: Australian Ballet’s Verve in Melbourne
The Australian Ballet accentuates the elegant beauty found in streamlined modern dance with a well-matched trio of works that form the program of Verve.
FROM DOWN UNDER: Australian Ballet’s The Merry Widow
A sunny joy from beginning to end, The Merry Widow is the winter warmer Melbourne needs. Lovers of traditional, old-fashioned glamour will swoon to the return of The Merry Widow.
FROM DOWN UNDER: Alice’s Adventures in Wonderland
A dazzling diorama of stunning scenery and capricious choreography, Alice’s Adventures in Wonderland is a delectable delight for children and adults alike.
FROM DOWN UNDER: Symphony in C
Positioning abstract modern dance alongside pure classical ballet, The Australian Ballet’s mixed program Symphony in C showcases not only the breadth of talent of the company but also the astounding versatility of the dancers.
FROM DOWN UNDER: Faster
Created by choreographer David Bintley and his creative team in anticipation of the 2012 London Olympics, Faster is a real crowd pleaser. The piece has even more scope to be popular here given Australian’s love of sport.
FROM DOWN UNDER: The Australian Ballet’s Nijinsky
The Australian Ballet boldly rewards their audience and dancers alike with John Neumeier’s dramatic adult fantasia Nijinsky.
FROM DOWN UNDER: Australian Ballet’s Swan Lake
Patrick Marber’s play is set in 1945 in an English Country House, the set of which rivalled downstairs at Downton Abbey! The play is inspired by Strindberg’s Miss Julie. Helen George plays Miss Julie, the only upstairs character we are introduced to in person, while Richard Flood plays John, her father’s Chauffeur and Amy Cudden plays Christine, the cook.
FROM DOWN UNDER: The Australian Ballet’s Vitesse
Commencing its 2016 Melbourne season in top form, The Australian Ballet continues its recent trend of exciting modern dance programs with Vitesse.