Adam Kashmiry is a man that was born in Egypt in a woman’s body. From a young age, he knew his soul didn’t align with the gender he was assigned at birth, but it wasn’t until he discovered the internet as a teenager that he found a word for this.
Award-winning artist Bryony Kimmings’ first solo show in nearly a decade and the return of internationally-acclaimed physical theatre company Gecko will feature in Battersea Arts Centre’s Phoenix Season, celebrating the reopening of the Grand Hall, three years after the venue was devastated by fire.
Powerful: There is no shortage of unfettered emotion in the National Theatre of Scotland’s Adam at the Traverse.
This year’s Traverse Festival programme presents eight world premieres, three European premieres and five Scottish premieres, among them a record five Traverse Theatre Company productions in the 70th anniversary year of the Edinburgh Festival.
It is a delightful curiosity, though, in the sense that it’s a show deliberately aiming at a long life on college and festival circuits rather than having eyes on the prize of Broadway or the West End.
Among the slew of American college circuit and chamber musicals at the Fringe, Stop the Train by Rick Guard and Phil Rice stands apart for looking nearly London-ready. Its score, orchestrations, big cast and production values are all first-class so it’s beyond unfortunate that some of the lyrics are away-day, super-saver, railcard-discounted tosh that sound like they came from one of those we-make-it-up-on-the-night improv shows.