Celie’s journey from despair to belief, love and hope is, in T’Shan Williams’ hands, a believable and rewarding experience in The Color Purple.
The extraordinary Caroline or Change makes the leap into the West End at the Playhouse Theatre, with a titanic Sharon D Clarke at the helm.
Caroline, or Change is a curious show that sees a five-star cast deliver distinctly flawed material. Set in an early 1960s Louisiana.
Following not one, but two recent acclaimed runs (first at Chichester’s Minerva Theatre in 2017, followed by a limited engagement at Hampstead Theatre earlier this year), Michael Longhurst’s production of Tony Kushner and Jeanine Tesori’s musical Caroline, or Change now makes its mark on London’s West End, taking up residence at the Playhouse Theatre until next spring.
Full casting has been announced for Caroline, Or Change, the musical written by Tony Kushner, with a score from Tony Award-winning Jeanine Tesori, which will run at the West End’s Playhouse Theatre from 20 November 2018 to 9 February 2019.
Tony Kushner and Jeanine Tesori’s complex and challenging civil rights musical Caroline, or Change makes its long-awaited London return to the Hampstead Theatre.
There are places deep inside us that only song can reach; when – in Caroline, Or Change – Sharon D Clarke’s sometimes mellifluous, sometimes scorching, tones reach that place, they shake your soul and awaken your spirit.
Hampstead Theatre has announced the full company for Tony Kushner’s and Jeanine Tesori’s musical Caroline, or Change, following its critically acclaimed run at Chichester Festival Theatre last summer.
Michael Buffong’s reinterpretation of Guys and Dolls, a co-production between the Royal Exchange and Talawa Theatre, is just that, a bold re-envisioning of the classic musical that consequently comes up with something different.
This Guys and Dolls is the perfect feel-good Christmas production. Playing out in-the-round on the Royal Exchange’s iconic stage, you’ll be left with a spring in your step and a smile on your face long after leaving the theatre. This is a performance that should not be missed.
This Christmas director Michael Buffong transports GUYS AND DOLLS uptown to 1939 Harlem in the UK’s first all-black cast production of this iconic 1950 Broadway musical classic, which has been reimagined and developed with the award-winning hip-hop dancer and choreographer Kenrick ‘H20’ Sandy.
Well Daniel Evans looks set to be continuing one of Chichester Festival Theatre’s longstanding traditions, of producing musical theatre that tempts the cognoscenti over to West Sussex in droves and which leads calls for West End transfers as soon as the curtain falls (if they had curtains in Chichester that is…).
Not long left to see two Off-West End musicals I can recommend: The Wild Party at The Other Palace and The Sorrows of Satan at Tristan Bates Theatre. Here’s why I think you should.
Further casting has been announced for the opening productions of Chichester Festival Theatre’s 2017 season, FORTY YEARS ON and CAROLINE, OR CHANGE.
There is an incredible array of top talent assembled – powerful singers, athletic dancers and intelligent actors – but The Wild Party lacks the wit and humour of Chicago so that its effect is limited because the book is so thin.
March’s jazz-age tale of a tempestuous couple holding a gathering to end all gatherings allows for a real parade of vivid caricatures to come passing through in search of gin, blow, sex and some defining characteristic or other.
In addition to lists of top productions, Mates contributor Ian Foster reviews his reviews from the past year to award his personal prizes for the best performances for Best Actor and Best Actress, Best Supporting Actor and Best Supporting Actress in both plays and musicals…
Full casting is announced today for Michael John LaChiusa’s THE WILD PARTY, which receives its first major London production at The Other Palace, playing from Monday 13 February to Saturday 1 April 2017, with a press night on Monday 20 February. THE WILD PARTY will be the inaugural production at The Other Palace, formerly St. James Theatre, when it reopens in February …
“You can never go back to before”… Mother may spend a song telling us that we can never go ‘Back To Before’ but fortunately you can go back to Ragtime with no fear.
EL Doctorow’s 1975 novel imagined a decade from 1902-1912, recklessly involving in its plot real historical figures and events – Harry Houdini’s rise in showbiz, Henry Ford and his Model T Ford, music hall stars.
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