Love London Love Culture rounds up the reviews for the digital production of Terence Rattigan’s one-woman play All on Her Own starring Janie Dee.
All On Her Own is an unusual monologue which holds the attention throughout; although perhaps the borderline hysterics of the original version are ultimately truer to the play as written.
A brand new digital production of Terence Rattigan’s one-woman play All On Her Own will star award-winning actress Janie Dee and be directed by Alastair Knights, with Jack McCann as assistant director and original music by Lindsey Miller. The show will be available to stream for eight performances only via stream.theatre from 16 to 21 February 2021.
Before she was Carole King, singer-songwriter, she was Carol Klein from Brooklyn, a 16-year-old sharp enough to have skipped two grades whose divorcee mother dreamed she’d become a teacher (“Girls don’t write music, they teach it”).
The final production at the Union Theatre’s old residence has been an absolute cracker. Jim Cartwright’s The Rise and Fall of Little Voice is a brilliantly observed study of life in a northern town through the multi-faceted prism of Mari Hoff and her gifted daughter Little Voice (abbreviated to LV).
Christmas came early to the West End on Sunday night, for just like Max Bialystock, Mel Brooks’ legendary king of Broadway, Alex Parker has done it again with his own Kings Of Broadway. Though where Bialystock famously flopped, yet again this remarkable conductor cum impresario succeeded spectacularly in mounting a one-night only extravaganza of the work of Jule Styne, Stephen Sondheim and Jerry Herman. Either Parker has amassed a multitude of favours to call in, or, and this is far more likely, he has simply earned the respect of an army of talented professionals including a 30-piece(!) orchestra and a cast of stellar proportions, to put on a concert that proved to be as polished as it was entertaining.