A Splinter of Ice moves away from a basic biography by mirroring its spy subjects and never allowing the audience to be quite sure which of its many faces is the real one.
Following a successful season of online productions, Original Theatre Company has announced its first live stage production since March 2020. The UK tour of Ben Brown’s new political drama A Splinter Of Ice will open on 8 June 2021 at the Malvern Festival Theatre and will tour until 31 July.
Original Theatre Company’s production of Ben Brown’s new play A Splinter Of Ice (about Graham Greene & Kim & Rufa Philby) will star Oliver Ford Davies, Stephen Boxer and Sara Crowe. A filmed version airs 15 April-31 July 2021 followed by a live tour.
The whole creative and production team involved in Original Theatre Company’s Apollo 13: The Dark Side Of the Moon can be rightly proud of a superb job which really pushes at the frontiers of online drama.
While Original Theatre’s Apollo 13: The Dark Side of the Moon is largely filmed in the homes of actors, the audience is taken straight into the interior of the spacecraft as a mission which seems routine goes badly wrong.
Original Theatre Company, the production company behind the critically-acclaimed lockdown productions of Sebastian Faulks’ Birdsong Online and Louise Coulthard’s Watching Rosie, have announced a new commission by Torben Betts, Apollo 13: The Dark Side of The Moon.
In light of the closure of theatres across the UK due to COVID-19, the Original Theatre Company’s productions of Alan Bennett’s The Habit Of Art and Ali Milles’ The Croft, both of which were touring the UK, will now each have an online launch performance.
In light of the most recent government advice due to COVID-19, The Original Theatre Company’s production of Alan Bennett’s The Habit of Art, which was due to open at Devonshire Park Theatre, Eastbourne on 18 March 2020, will now perform a closed filmed performance on the same day 2pm.
For a comedy, there are not enough laughs. Although Torben Betts is perfectly skilled at delivering humorous dialogues, in Monogamy there is very little sun, but plenty of glowering darkness.
There is more than one large-scale depiction of World War One on stage in Edinburgh at the moment. While the juggernaut that is War Horse may cause Birdsong to be overshadowed, the returning touring production of Sebastian Faulks’ story at the King’s has much to recommend it.
Birdsong is a production that is thoughtful, respectful and heartbreaking to watch – but its powerful poignancy and heartfelt performances make this a must-see show.
Set in 1942 this National tour of Terence Rattigan‘s wartime masterpiece is celebrating the 70th anniversary of VE day and is drawn from Rattigan’s own experiences of his RAF days of which he is pictured in the program, which incidentally makes for a fascinating read for all ages. With such a stellar cast as this, it was bound to be a fitting tribute to a historic time.
Emotionally uneven, Birdsong at the King’s has much to recommend it but struggles to convince fully.