I may still not know what a variable star is but Cecilia Payne did and that’s what matters.
Arrows & Traps return to live performance in customary ambitious style with Holst – The Music In The Spheres at the Brockley Jack Theatre.
One Giant Leap is a very silly story with no other mission in mind but providing two hours of pure entertainment.
If Taro is to be Arrows & Traps’ final production, then it’s a hell of a high note to go out on. Bringing together so much of what has made them an enjoyable and enlightening company to follow.
Written and directed by Ross McGregor, Gentleman Jack looks at the truth behind a woman who was a pioneer in entrepreneurship, mountaineering and in some ways ‘a modern lesbian’.
it is pleasing to see that Ross McGregor’s new play Gentleman Jack respects its subject enough to give a full picture of their life.
Gentleman Jack shines a light not only on Anne Lister’s life and legacy as both a woman and a lesbian, but also on the rigid 19th century attitudes that she set out to challenge.
Arrows and Traps make a triumphant return following their adaptation of The White Rose in this atmospheric adaptation of Bram Stoker’s Dracula.
Adaptor/director Ross McGregor turning to Bram Stoker’s classic Dracula makes sense, not least as it offers ample opportunity for Arrows & Traps to refresh its rather dustily antiquated take on gender.
Arrow and Traps’ re-telling of the story of The White Rose is apt in times of increased authoritarianism around the world. In Sophie Scholl, the most famous and youngest member to executed by the Nazi Government for treason, Lucy Ionnou shows us the human behind the activist.
For all the weight of the subject, The White Rose is engagingly and captivatingly staged, losing none of the visual inventiveness that has characterised so much of Arrows & Traps’ previous work.
Playing in rep with Twelfth Night at Highgate’s Upstairs at the Gatehouse theatre, Arrows and Traps’ Othello sees them take a slightly different approach to the tragedy, one which is closer to the way in which they reimagined Macbeth earlier this year.
It may be music that feeds love according to Shakespeare but it is lust that drives Arrow and Traps’ interesting production of Twelfth Night, playing in rep with Othello at the Upstairs at the Gatehouse Theatre in Highgate.