The Edinburgh Festival Fringe Society, the charity which oversees the Edinburgh Fringe, has been awarded £249,000 grants and a £1million interest-free loan to help support it through Covid-19 recovery.
‘It has all of the hallmarks of classic Ayckbourn’: ANNO DOMINO – Stephen Joseph Theatre ★★★★ (Online review)
Perfectly pitched: Anno Domino has all of the hallmarks of classic Ayckbourn – razor-sharp observation, subtle skewering of preconceptions, and exploration of murky hidden depths.
‘A devastating moment for our industry’: Edinburgh’s Lyceum Theatre in hibernation
Edinburgh’s Lyceum Theatre has entered a period of “hibernation” as a building-based producing theatre, postponing all 2020 shows and entering into negotiations with all staff over redundancies.
‘Does exactly what it says on the tin’: CIRQUE BERSERK – Touring ★★★
Newbury-based circus company Cirque Berserk! appears at Edinburgh’s Festival Theatre as part of its 2020 tour. The company brands itself as ‘Real Circus made for Theatre’ and it does exactly what it says on the tin.
‘Funny, heart-warming & joyous show’: EVERYBODY’S TALKING ABOUT JAMIE – Touring ★★★★
A real joy to watch from start to finish. the story behind Everybody’s Talking About Jamie is one of courage against adversity, but one that is full of humour and love too.
‘Enough energy to light Hampton Court for 500 years’: SIX THE MUSICAL – Touring ★★★★
You’ll lose your head over Six The Musical, which is bringing a new audience to the Festival Theatre just a week ahead of the show’s Broadway debut.
‘Its heart is undoubtedly in the right place’: OOR WULLIE – Touring ★★★
Oor Wullie, the touring musical from Selladoor, Dundee Rep and DC Thomson has moments of comic brilliance.
‘Surprising & endlessly entertaining affair’: PRIDE & PREJUDICE* (*SORT OF) – Touring ★★★★
Pride and Prejudice* (*sort of) has a superbly wide frame of reference, and which is thought-provoking as well as being sheer good fun.
‘Wants for nothing in terms of spectacle or budget’: THE LION KING – Touring ★★★★
Visually arresting, the touring production of The Lion King which is booked into the Playhouse until March 2020, wants for nothing in terms of spectacle or budget.
‘Deserves to be remembered for years to come’: THE KING & I – Touring ★★★★★
The collective charisma of the cast in a stunning production of The King and I earns a well-deserved standing ovation.
‘As finely-tuned a theatrical machine as you are likely to see’: BARBER SHOP CHRONICLES – Touring ★★★★
There is a winning combination of the playful and the profound in Barber Shop Chronicles which allies serious stagecraft and knowledge to sheer enjoyability.
‘Little in the way of pre-Halloween excitement’: FRANKENSTEIN – Touring
Confused in its execution, this touring version of Frankenstein has high production values but offers a rushed retelling of the story that fails to work in practice.
‘Remains a vital piece of theatre’: A TASTE OF HONEY – Touring ★★★
Some outstanding performances overcome a series of gimmicky directorial choices in the UK National Theatre’s touring production of A Taste of Honey at the King’s.
‘How can you resist it?’: MAMMA MIA! – Touring ★★★★
It’s not just one of us who was pleased to have Mamma Mia! back on the Edinburgh Playhouse stage – an air of expectation and excitement filled the entire auditorium for the show.
‘Provides some moments of genuine theatrical magnetism’: SOLARIS – Edinburgh ★★★★
Dealing with troubling questions about human interaction, the Lyceum’s adaptation of Solaris is – like all the best science fiction – not really about alien planets but about our own world.
‘Characters create an interesting dynamic’: MADAME GEORGE – Edinburgh Fringe ★★★
Madame George, by award-winning playwright Keir McAllister at Gilded Balloon Patter Hoose on Chambers Street is a dark comedy filled with easy laughs that are tinged with a great sadness.
‘Captivating, thrilling & spellbinding’: BLACK IS THE COLOR OF MY VOICE – Edinburgh Fringe ★★★★
Apphia Campbell triumphs in Black is the Color of My Voice at Gilded Balloon Teviot. A riveting show inspired by the life and music of Nina Simone and featuring songs such as ‘I Put a Spell On You’ and ‘Feeling Good’.
‘Queer identities couldn’t be explored in a more delicate way’: THE HAPPINESS PROJECT – Edinburgh Fringe
The first thing that strikes about The Happiness Project is the colours. Shocking pink and neon yellow on a plain background and plastic-grass floor.
‘Truly magical’: THE MAN WHO PLANTED TREES – Edinburgh Fringe ★★★★★
In a world full of fear and worry, we all need a reminder that there’s still hope. Luckily, in The Man Who Planted Trees at the Scottish Storytelling Centre, two storytellers and their puppets are here to give us just that.
‘Simple yet well executed’: PINK HOUSE – Edinburgh Fringe ★★★
Exploring grief and the impact of trauma on memory and family relationships, Paradigm Lab’s Pink House by Madison Pollack at PQA Venues is somewhat heartbreaking and completely honest.