Visually arresting, the touring production of The Lion King which is booked into the Playhouse until March 2020, wants for nothing in terms of spectacle or budget.
‘Deserves to be remembered for years to come’: THE KING & I – Touring ★★★★★
The collective charisma of the cast in a stunning production of The King and I earns a well-deserved standing ovation.
‘As finely-tuned a theatrical machine as you are likely to see’: BARBER SHOP CHRONICLES – Touring ★★★★
There is a winning combination of the playful and the profound in Barber Shop Chronicles which allies serious stagecraft and knowledge to sheer enjoyability.
‘Little in the way of pre-Halloween excitement’: FRANKENSTEIN – Touring
Confused in its execution, this touring version of Frankenstein has high production values but offers a rushed retelling of the story that fails to work in practice.
‘Remains a vital piece of theatre’: A TASTE OF HONEY – Touring ★★★
Some outstanding performances overcome a series of gimmicky directorial choices in the UK National Theatre’s touring production of A Taste of Honey at the King’s.
‘How can you resist it?’: MAMMA MIA! – Touring ★★★★
It’s not just one of us who was pleased to have Mamma Mia! back on the Edinburgh Playhouse stage – an air of expectation and excitement filled the entire auditorium for the show.
‘Provides some moments of genuine theatrical magnetism’: SOLARIS – Edinburgh ★★★★
Dealing with troubling questions about human interaction, the Lyceum’s adaptation of Solaris is – like all the best science fiction – not really about alien planets but about our own world.
‘Characters create an interesting dynamic’: MADAME GEORGE – Edinburgh Fringe ★★★
Madame George, by award-winning playwright Keir McAllister at Gilded Balloon Patter Hoose on Chambers Street is a dark comedy filled with easy laughs that are tinged with a great sadness.
‘Captivating, thrilling & spellbinding’: BLACK IS THE COLOR OF MY VOICE – Edinburgh Fringe ★★★★
Apphia Campbell triumphs in Black is the Color of My Voice at Gilded Balloon Teviot. A riveting show inspired by the life and music of Nina Simone and featuring songs such as ‘I Put a Spell On You’ and ‘Feeling Good’.
‘Queer identities couldn’t be explored in a more delicate way’: THE HAPPINESS PROJECT – Edinburgh Fringe
The first thing that strikes about The Happiness Project is the colours. Shocking pink and neon yellow on a plain background and plastic-grass floor.
‘Truly magical’: THE MAN WHO PLANTED TREES – Edinburgh Fringe ★★★★★
In a world full of fear and worry, we all need a reminder that there’s still hope. Luckily, in The Man Who Planted Trees at the Scottish Storytelling Centre, two storytellers and their puppets are here to give us just that.
‘Simple yet well executed’: PINK HOUSE – Edinburgh Fringe ★★★
Exploring grief and the impact of trauma on memory and family relationships, Paradigm Lab’s Pink House by Madison Pollack at PQA Venues is somewhat heartbreaking and completely honest.
‘Likeable & informative’: THUNDERSTRUCK – Edinburgh Fringe ★★★
Thunderstruck by David Colvin at Assembly Checkpoint is a deeply felt and human tale, whose relationship with its source and inspiration nevertheless makes for some uncertain moments.
‘Worth any number of over-literal, full cast adaptations’: OF MICE AND MEN – Edinburgh Fringe ★★★★
Of Mice and Men, in the Gilded Balloon Teviot Wine Bar for the full fringe, benefits from one fine performance and one exceptional one.
‘Every moment is memorable & engaging’: A GAME OF DEATH & CHANCE – Edinburgh Fringe ★★★★
In A Game of Death and Chance, the National Trust for Scotland’s first ever Fringe show, four characters from the 17th century – and death himself – have occupied an old Edinburgh tenement to tell stories of Scotland’s past.
Musicals made in Edinburgh
There’s a whopping 27 different offerings made in Edinburgh in this year’s musicals and opera section of the fringe programme.
‘Delivered with slickness & a certain panache’: DOWN IT FRESHER! – Edinburgh Fringe ★★★
Sassy, rude and distinctly scuzzy round the edges, the Anonymous Badger Creative’s production of Down It Fresher! in the Free Fringe is a case of writing what you know about.
Edinburgh’s professional theatre companies at the Fringe 2019
As the fringe continues to grow, so does the input from Edinburgh-based companies. This year there are an unprecedented 93 different productions in the theatre section of the Fringe programme alone.
‘Sort of treat which gives musical theatre a good name’: AMELIE THE MUSICAL – Touring ★★★★
Amelie is a slick, clever and hugely appealing production which reveals the heart of the original in a way which the initial Broadway production did not, if the clips of the latter are to be believed.
‘Feels remarkably relevant’: THE SIDESHOW – Edinburgh ★★★
In the week when moves to regulate Airbnb failed and it was decided to curtain Princess Street Gardens off during commercial gigs, Active Inquiry’s The Sideshow feels remarkably relevant.