Vassa, once a timely satire of the iniquities of capitalism in its day, doesn’t really have much to say when the director has so squarely decided to move it so out of time and place.
Love London Love Culture rounds up the reviews for Tinuke Craig’s production of Vassa at the Almeida Theatre.
Robert Icke’s Almeida Theatre production, The Doctor, will transfer to the Duke of York’s Theatre from 20 April to 11 July 2020, with press night on 29 April. Olivier Award winner Juliet Stevenson will reprise her role as Professor Ruth Wolff.
The Almeida Theatre has announced that associate director Rebecca Frecknall’s new production of John Webster’s revenge tragedy The Duchess of Malfi will star Lydia Wilson in the title role. The production opens on 10 December 2019, with previews from 2 December, and runs until 18 January 2020.
Robert Icke’s final production for the Almeida, after spectacular successes including Mary Stuart, Andrew Scott’s Hamlet and The Wild Duck, is a complete reworking of a play by Arthur Schnitzler. He rips the original play, Professor Bernhardi, out of its turn-of-the-century Vienna setting, and drops it into the information age in The Doctor.
Best of the Blogs: The Mates give their verdicts on Appropriate, The Doctor, Cabaret & more.
Problematic, troubling, with a cast who give of themselves with unstinting commitment, once again Icke has pulled off a brilliant reframing in The Doctor.
Love London Love Culture rounds up the reviews for Robert Icke’s final production as associate director at the Almeida Theatre, The Doctor.
In The Doctor at the Almeida Theatre Juliet Stevenson is mesmerising in a brilliantly written ethical debate that is both thrilling and challenging.
Love London Love Culture rounds up the reviews for the world premiere of Rupert Goold’s production of The Hunt at the Almeida Theatre.
Carrying on a new series, our editor Lisa Martland has picked out her Top Picks from the last week including Anne Cox’s thoughts on Present Laughter, while Aleks Sierz reports from Bitter Wheat.
The Hunt is not easy viewing. It will certainly divide opinion and it is loud and clear in its desire to provoke discussion. It is also an intelligently written adaptation steeped in theatricality whilst providing a nod to its source material.
The Hunt, a striking stage version of Thomas Vinterberg and Tobias Lindholm’s 2012 film, is full of intensity.
Rupert Goold gives his production of The Hunt enough thriller-like pacing and intensity to keep us hooked.
Rebecca Frecknall’s rich production of Three Sisters takes place in a bubble of unreality, both alluring and doomed to burst.
The Almeida Theatre has announced a new play written and directed by Robert Icke called The Doctor, freely adapted from Arthur Schnitzler’s 1912 play Professor Bernhardi, featuring Juliet Stevenson and Ria Zmitrowicz.
Sam Mendes’ Olivier Award-winning production of Jez Butterworth’s The Ferryman received equal top billing at this week’s Tony Awards 2019 nominations announcement alongside the hit Broadway production of To Kill a Mockingbird. The productions both have nine nods including ones for Ferryman actors Paddy Considine (Best Performance by an Actor in a Leading Role in a Play), Fionnula Flanagan and Laura Donnelly. The …