First seen at the Orange Tree Theatre in 2019, Maya Arad Yasur’s play Amsterdam is a stark reminder that we should never forget the past and as much as possible try and prevent history repeating itself.
While world history is ‘officially’ about facts, in reality, it is an amalgamation of thousands of experiences into one coherent narrative.
Best of the Blogs: The Mates give their verdicts on Big, A Dolls’s House, Shida & The Eyes Of The Night.
New Israeli play Amsterdam about the effect of the past on the present is an open text which owes much too much to Martin Crimp.
Maya Arad Yasur’s Amsterdam had already had an illustrious reception before it hit Paul Miller’s pocket dynamo Orange Tree, Richmond.
We start with a curvaceous redhead gyrating in a red-lit Amsterdam window, and that’s Streaming’s first flaw: by telling its interesting three-stranded story in flashback it has already given too much away – a fundamental mistake for the sex workers this piece is all about. The characters are sharply drawn and brought to life by […]
The post Review: Streaming (The Pleasance, Islington) appeared first on JohnnyFox.