Andrew Lloyd Webber’s School of Rock is based on the hit movie and follows the life of Dewey Finn, an endearing character who is down on his luck.
The Watermill Theatre’s 2016 production of Andrew Lloyd Webber and Don Black’s one-woman, one-act musical has been revived for a UK tour.
In a special, one-night-only concert, Andrew Lloyd Webber, Don Black and Christopher Hampton’s musical Sunset Boulevard will be staged at London’s Royal Albert Hall on 3 December 2021.
Andrew Lloyd Webber may have composed better scores than his new Cinderella, but he has certainly never created anything camper, and no, I haven’t forgotten Sunset Boulevard. This collaboration with Oscar winning book writer Emerald Fennell and lyricist David Zippel (City of Angels, ALW’s own The Woman In White) actually feels like something of a return to form, not because it’s much like anything else in the Lord’s canon thus far, but more because, after well over two decades, a new musical by this country’s most successful theatrical composer actually feels, once again, like a major West End event. School Of Rock doesn’t count as it was already a solid Broadway hit by the time it opened at the same Gillian Lynne Theatre that Cinderella is now gaudily occupying.
We can finally go to the ball, and Andrew Lloyd Webber’s Cinderella was well worth the wait. Emerald Fennell’s treatment of the fairy tale frames Cinderella as a social outcast in a town obsessed with beauty.
Despite threats that Cinderella might be cancelled for good, or exported to a more supportive arts climate, here it is at last and, I am happy to report, this ball of a show was worth the wait.
We round up the reviews for Andrew Lloyd Webber’s new musical Cinderella, which has finally been able to open at the Gillian Lynne Theatre.
Cinderella’s brilliant trick is the show’s have-cake-and-eat-it ability to debunk all the traditional glamour and romance while actually indulging it.
Now this is how you do stunt casting! Linzi Hateley returns in glorious style to Joseph And The Amazing Technicolor Dreamcoat after 30 years.
It has been harder for Andrew Lloyd Webber to schedule a press night for Cinderella than any prince has ever had to find the wearer of the glass slipper in the fabled fairytale.
When you book to see Joseph and the Amazing Technicolor Dreamcoat, you are guaranteed not only a joyful night out at the London Palladium but also a time-travel ticket to your childhood.
The lively return of Andrew Lloyd Webber and Tim Rice’s musical Joseph & the Amazing Technicolor Dreamcoat is filled with exuberant joy that makes it impossible to resist.
The Really Useful Group has announced, after a period of enforced closure, the world premiere of Andrew Lloyd Webber’s Cinderella will be on 25 August 2021.
The press performance of Cinderella on Monday got cancelled, and so did last night’s “gala opening”; Andrew Lloyd Webber has now threatened to pull the plug on the entire show…. or has he?
Following the cancellation of weekend performances of Andrew Lloyd Webber’s Cinderella at London’s Gillian Lynne Theatre, due to one member of the company testing positive for Covid-19, the composer has announced today that the opening night and gala evenings (19 and 20 July 2021) will also not go ahead.
The week began with Andrew Lloyd Webber being mentioned by Boris Johnson, as he extended the lockdown from the originally hoped-for ‘Freedom Day’ of 21 June to 19 July, at which point theatres may be able to reopen without social distancing in place;
In what is becoming a wearyingly predictable cycle, Boris Johnson’s latest failure to act fast enough to lockdown the country from the arrival of what is now known as the Delta variant of Covid, which originated in India, has resulted in it becoming the dominant strain of the virus in Britain — with the added problem that it is much more easily transmissible than previous strains.
As predicted, the Government has confirmed it will shelve the full reopening of theatres in England until 19 July 2021 at the earliest.
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In a front page scoop in today’s Daily Telegraph, the paper lines up three heavy-hitting bylines — chief reporter Robert Mendick, political editor Ben Riley-Smith and theatre critic Dominic Cavendish — to reveal an exclusive with Andrew Lloyd Webber. The headline reads: ‘You’ll have to arrest us to stop reopening’.