Andrew Scott, Sharon D. Clarke, Juliet Stevenson, Sam Tutty and Hammed Animashaun have won the top acting honours at the 2019 Critics’ Circle Theatre Awards.
With a new year fast approaching, it is an interesting time to reflect on small changes across the theatre landscape in 2019 that will continue to shape how UK theatre will look as it moves into a new decade.
Acting honours go to Andrew Scott & Maggie Smith at the 2019 Evening Standard Theatre Awards while Sweat wins Best Play.
In The Doctor at the Almeida Theatre Juliet Stevenson is mesmerising in a brilliantly written ethical debate that is both thrilling and challenging.
From Light In The Piazza to Present Laughter via West End Live: That Stagey Blog reflects on another busy week.
First of all let’s say that Andrew Scott is a marvel in Present Laughter, a 21st century Ur-Coward hero, who manages to do it without either the matey crassness lately inflicted on the part by Rufus Hound, or that retro, clipped Cowardspeak which echoes the Master too much.
Love London Love Culture rounds up the reviews for this revival of Noel Coward’s comedy Present Laugher now playing at the Old Vic Theatre.
Noël Coward would have thoroughly approved of Andrew Scott’s gloriously outrageous turn as ageing matinée idol, Garry Essendine, in The Old Vic’s reinvention of Present Laughter.
The Old Vic’s production of Present Laughter finally feels as though we’re shaking off some of the restraints that have shackled Noel Coward to the past.
The Old Vic today has announced that Matthew Warchus will direct Andrew Scott in Noёl Coward’s provocative comedy Present Laughter, opening on 25 June 2019, with previews from 17 June. The cast also includes Luke Thallon, Sophie Thompson, Suzie Toase and Indira Varma.
Mind the Blog rounds up her favourite male performances in the theatre during 2018.
Key to Sea Wall’s effectiveness is Andrew Scott’s ability to connect so entirely with his audience. Laughing and joking, we’re totally with him in the anecdotes of his ideal life.
As ever, if you’re insatiable for new theatre, there are plenty of openings for you. In London, Space Dogs plays a short run at Theatre N16, Laura Linney makes her London stage debut in My Name Is Lucy Barton at the Bridge Theatre.
In celebration of its 200th Birthday, The Old Vic today has announced a special additional production to its Bicentenary season. The acclaimed Paines Plough production of Sea Wall, by Simon Stephens and performed by Andrew Scott, will play at The Old Vic from Monday 18 June until Saturday 30 June 2018.
Nominations for the Olivier Awards 2018 are announced today. The shortlists are dominated by Lin-Manuel Miranda’s musical Hamilton and Jez Butterworth’s latest play The Ferryman. Headlines include: New American musical Hamilton becomes the most nominated production in Oliviers history with 13 nominations The Ferryman, currently running in the West End before transferring to Broadway, is the most nominated new play with 8 …
Nicholas Hytner is to direct two world premieres for the London Theatre Company at the Bridge Theatre: Alan Bennett’s Allejujah! and the world premiere of Lucinda Coxon’s Alys, Always, based on the novel by Harriet Lane.
Opening just before Christmas to rave reviews, the London version of the multi-award-winning Broadway hit Hamilton has won its first major prize outside the USA – Best Musical at the 2017 Critics’ Circle Theatre Awards.
Well, we made it, just. 2017 passed by with just the 346 visits to the theatre, I don’t really know why I do it to myself! Out of those, 33 were return visits to shows I’d already seen and I got out of London for 32 shows – not too bad considering I don’t do Edinburgh and no one is covering my travel expenses!
It is great news indeed that this Orange Tree production will be gaining further life in 2018 with a transfer to the National Theatre in the summer. I really hope that as much of the original cast comes with it, especially Nwosu.
What is personally the most galling is the programming of Twelfth Night. Emma Rice’s production was my favourite show of 2017. It almost feels like they’re trying to brush it under the carpet by putting it on again so soon.