Emma Rice’s version of Angela Carter’s last novel is a beautifully bizarre celebration of alternative families.
‘It feels like the show is reaching out to give you a big hug’: WISE CHILDREN – Coventry ★★★★★
My verdict? A show that is unabashedly in love with theatre, revelling in the curious mischief of Angela Carter’s novel – what a joy it is to dance and sing, indeed!
‘An explosion of sheer theatrical joy’: WISE CHILDREN – Touring ★★★★★
Wise Children is the ultimate love letter to theatre. Complete with stars, spotlights, showgirls and Shakespeare – this is a spectacle to behold.
‘A great statement of intent from Emma Rice’: WISE CHILDREN – The Old Vic ★★★★
Wise Children is a beautifully designed and performed show, that’s faithful to the source material without ever feeling constrained by it – a great statement of intent from Emma Rice.
NEWS: Full cast announced for world premiere production of Wise Children at the Old Vic & touring
The Old Vic has announced the cast of Angela Carter’s Wise Children – adapted and directed by Emma Rice – which will have its world premiere at The Old Vic on 17 October 2018, with previews from 8 October, ahead of its UK tour.
Emma Rice at Shakespeare’s Globe: Top 10
I thought it would be great to celebrate some of my favourite things about Emma Rice’s time as the artistic director of Shakespeare’s Globe.
A MIDSUMMER NIGHT’S DREAM – Shakespeare’s Globe
Anarchy! It’s not what you expect from a Shakespeare play… even one that has been performed in as many ways as A
Midsummer Night’s Dream has been tackled. Emma Rice’s debut piece in her first season as Artistic Director for the Globe throws the rulebook right out of the window though with performers wearing head mics, set dressing seemingly hanging from the sky and a distinctly non-reverential approach to William’s words.
VOLPONE – Stratford-upon-Avon
Trevor Nunn’s production of Volpone at the RSC’s Swan sagely contends that the sins of greed and avarice are timeless. With Ben Jonson’s 17th century comedy set squarely in a modern Venice, if some of Ranjit Bolt’s occasional script revisions are schoolboy clumsy (silly references to Greece and the Euro pop up), they can be forgiven in a plot in which incredible complexities may not have weathered the test of time as much as the brilliant observation of the flawed human condition that makes this play so entertaining.