“This is my first step into the realm of truly professional theatre-making, and, I’ll be honest, I didn’t expect it to be this tough!” Exciting young theatremaker Patrick Bayele doesn’t pull any punches as he tells us about creating new production How To Save The World. Read his fascinating interview, then book you tickets.
WATCH: Director Patrick Bayele and the cast of How To Save The World tell us how the new play is something we’ve “not seen anywhere else”.
“This play is going to change your life.” It’s a bold statement, but you can’t help but believe Patrick Bayele, director of How To Save The World, when you look into his eyes. He believes. Watch the behind the scenes interview with Bayele and his cast, then book your tickets.
NEWS: New epic reimagining of The Seagull teaches audiences How To Save The World
‘We could all be heroes’ promises new interpretation of Chekhov’s classic drama The Seagull, How To Save The World. To find out how, you’ll have to visit Studio 9294 later this month. Book your tickets now!
‘Chekhov’s work feels very alive & relevant today’: Maly Drama Theatre’s Lev Dodin brings Three Sisters to the West End
The lauded Russian director Lev Dodin tells us about bringing his much-praised production of Three Sisters to London and why, after 35 years running the Maly Drama Theatre, he still gets nervous.
Text of the Day: Three Sisters
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
‘Disappointingly middle of the road’: THREE SISTERS – Almeida Theatre
Chekhov classic from the team behind the West End hit Summer and Smoke is too middle of the road
The post Three Sisters, Almeida Theatre appeared first on Aleks Sierz.
‘The play finally starts to crackle – after the interval’: THREE SISTERS – Almeida Theatre ★★★
After the interval, The Three Sisters, mercifully, in mood and pace, could be a different play. I left happy enough. But goodness, the first scenes badly need more vigour. And a trim.
‘A vibrant & meaningful interpretation’: THREE SISTERS – Almeida Theatre
It is a vibrant and meaningful interpretation of Chekhov’s Three Sisters that reaps rewards. Keep on an eye on this new theatre partnership, it could be around for many years to come.
NEWS: Full cast is announced for Three Sisters at the Almeida Theatre
Following Rebecca Frecknall and Patsy Ferran’s Critics’ Circle Award-winning collaboration on Summer & Smoke at the Almeida Theatre, the director and actress will join forces on Anton Chekhov’s Three Sisters in a new adaptation by Cordelia Lynn (8 April to 1 June 2019, press night is 16 April), for which full casting is announced today.
REVIEW ROUND-UP: Uncle Vanya at Hampstead Theatre
Alan Cox stars as Vanya in Terry Johnson’s new adaptation of Chekhov’s classic play Uncle Vanya at the Hampstead Theatre. Find out what the critics made of it with Love London Love Culture’s review round up…
‘Oddly unemotional, disjointed & not entirely satisfying’: ARISTOCRATS – Donmar Warehouse
Director Lyndsey Turner is clearly impatient with the tradition of playing this melancholy drama as a tribute to Chekhov, and her production is thoroughly anti-naturalistic.
‘Leaves an unpleasantly bitter aftertaste’: MONOGAMY – Park Theatre
For a comedy, there are not enough laughs. Although Torben Betts is perfectly skilled at delivering humorous dialogues, in Monogamy there is very little sun, but plenty of glowering darkness.
Text of the Day: Absolute Hell
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
FEATURED SHOW: Chekhov adaptation The Lady With a Dog transfers to Tabard Theatre, more ★★★★★ reviews are in!
Got your tickets yet for Mark Giesser’s stage adaptation of Anton Chekhov’s 1899 short story The Lady with a Dog, relocated to Britain during the inter-war 1920s? Following its world premiere season at the White Bear Theatre, the production has now transferred across town to west London’s Tabard Theatre, where it’s attracted more blogger bouquets.
‘Potential to be great’: THE LADY WITH A DOG – Tabard Theatre ★★★
The Lady With a Dog has the potential to be great and, as a fan of Chekhov myself, I want it to achieve that. It just needs to develop to get there.
Head-to-head interview: The Lady with a Dog’s leading lady & her new leading man
After a successful run at the White Bear Theatre, Mark Giesser’s 1920s-set, Anglicised adaptation of Anton Chekhov’s 1899 short story The Lady with a Dog transfers across town to the Tabard Theatre, where it starts performances tonight (14 March 2018). Check out our head-to-head interviews with Beth Burrows, who received critical acclaim for her title performance, and her new leading man Richard …
FEATURED SHOW: What does a 1920s setting add to Chekhov’s The Lady with a Dog?
Alces Productions’ acclaimed 1920s-set, Anglicised adaptation of Chekhov’s short story The Lady with a Dog transfers from the White Bear Theatre to Tabard Theatre this month for an extended season. Adapter/director Mark Giesser explains more about why he felt the story would sit so well in this different setting – and we go back to the source for further background. …
NEWS: Chekhov’s The Lady with a Dog transfers from White Bear to Tabard Theatre
Mark Giesser’s just-opened, Jazz Age-set adaptation of Anton Chekhov’s 1899 short story The Lady with a Dog will transfer next month directly from south London’s White Bear Theatre in Kennington SE11 to west London’s Tabard Theatre in Chiswick W4. Got your tickets yet?
‘The decision to move the action to the 1920s is inspired’: THE LADY WITH A DOG – White Bear Theatre ★★★★
Advice columns have often suggested lonely hearts should take up dog walking as a sure-fire way of finding romance. They may be barking up the wrong tree but love-sick mutts are suckers for a cute pooch. The ploy works wonders in Mark Giesser’s enchanting romance, The Lady With A Dog, adapted from Chekhov’s classic short story.
INTERVIEW: The Lady With a Dog is ‘an intimate love story… that’s what makes it one of Chekhov’s most timeless pieces’
Anton Chekhov’s 1899 short story The Girl with a Dog has been reset to the Jazz Age in a new adaptation by Mark Giesser, which comes next month to London’s White Bear Theatre.
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