A year on, and after a partly recast tour, Anything Goes’ SS America drops anchor back in the Barbican and in style. Actually feels even better than before. Aboard are Cole Porter’s champagne rhymes, Kathleen Marshall’s grand direction and peerlessly witty comic choreography, moments of 1930s romantic elegance for those with a tender nature and PG Wodehouse’s high-absurd plot for the rest of us. Last year it loomed out of the grey Covid fog like a sunburst, and had us on our feet. Same again.
Featuring Oliver Award-winning talent in the form of Denis Lawson and Simon Callow, as well as musical theatre royalty such as Kerry Ellis and Bonnie Langford, this energising performance of Anything Goes offers spectacle and wonder in every musical number.
The West End hits central Edinburgh this week, as Cole Porter’s seaborne musical Anything Goes sails into the Festival Theatre for a very limited run until this Sunday.
Light as a souffle but such a delight. It’s doubtful whether there has ever been a classier bit of froth than this Cole Porter show.
The smash-hit revival of Cole Porter’s Anything Goes is sailing back to London’s Barbican Theatre next summer for an eight-week run from 15 July until 3 September 2022. Casting for the new dates is still to be announced.
As soon as the title number’s patter chorus kicks in, there’s a smile on every face at the Barbican Centre, where Cole Porter’s Broadway classic Anything Goes runs until 6 November 2021.
Broadway star Rachel York and Tony and Olivier nominee Haydn Gwynne will join the cast of critically-acclaimed Anything Goes for the final weeks before the show must end on 6 November 2021.
We round up the reviews for Kathleen Marshall’s production of Anything Goes, now playing at the Barbican.
Two classic revivals — both coincidentally first launched in the spring and summer of 2011, one on Broadway (Anything Goes, in a production directed and choreographed by Kathleen Marshall), the other at Chichester, before transferring to the West End’s Palace Theatre (Singin’ in the Rain, directed by Jonathan Church with choreography by Andrew Wright) — have returned in triumph on consecutive nights this week.
In Anything Goes at the Barbican there are celebrity gangsters and torch-singers, big stock-exchange money and big energy, jazzy lapdancers and a touching belief that poor old England is best represented by a silly-ass in tweeds who doesn’t understand words like smooch.
Yoo Capital and Deutsche Finance International (DFI) – developers of the £1.3 billion regeneration of Olympia – have announced a major agreement with Trafalgar Entertainment to run the site’s new 1,575-seat theatre. The theatre will be the largest new permanent theatre build of its kind to open in London since the National Theatre in 1976.
Today, for the first time since the mid-December lockdown brought the shutters down on most forms of social interaction in public, including the closure of non-essential shops, pubs, restaurants, theatres, cinemas, museums and galleries, Britain is beginning the process of edging out of those some of those restrictions.
Anything Goes will open at London’s Barbican Theatre from 23 July 2021 for a strictly limited 12-week season until 17 October.
Award winning actress Felicity Kendal will make her West End musical debut starring as Evangeline Harcourt, alongside leading actor Gary Wilmot as Elisha Whitney, in Anything Goes at London’s Barbican Theatre, running for a strictly limited season from 5 June to 22 August 2021.
Emma Clarendon selects the shows that she is most looking forward to catching in 2021.
Emmy & SAG Award winner Megan Mullally (Will & Grace) will make her West End musical debut as Reno Sweeney in Anything Goes opposite Tony, Olivier & BAFTA Award winner Robert Lindsay as Moonface Martin, running from 8 May 2021 (press night is 20 May) until 22 August at London’s Barbican Theatre.
The Show People Podcast is back and in this episode host Andrew Keates is joined by world renowned and Olivier Award-winning choreographer Stephen Mear.
In quite possibly the finest musical to have been staged at The Gatehouse in recent years, John Plews and his cracking company deliver musical theatre magic in their ambitious staging of Cole Porter’s most famous show, Anything Goes.
Though smaller in scale, Ovation’s productions have never been lacking in ambition and so I was most pleased indeed to see Cole Porter’s Anything Goes on the slate for this festive season.
I always took pride in the fact that no matter what was thrown at me when I was a swing, I could cope with it. I adored the challenge of no two shows the same and being thrown on halfway through. I fear my sense of pride had clearly left the building this particular day! I was in Anything Goes at Drury Lane…
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