I have never known Die Walküre fail to connect before, particularly in the hands of a talented team. Let’s hope this cycle gets right back on track as they progress towards a future Siegfried.
This brand new English version of Pierre de Marivaux’s classic comedy The Game of Love and Chance, adapted by Quentin Beroud and Jack Gamble, takes great delight in modernising this almost 300-year-old French play. There is a knowingness to the adaptation that adds yet more comic layers to the wonderfully silly piece.
In some good news, this week the Barn Theatre in Cirencester has reopened its doors to (socially distanced) audiences for the world premiere of Cat Goscovitch’s new play, A Russian Doll, a co-production with London’s Arcola Theatre.
In light of the continued coronavirus emergency and advice from Prime Minister Boris Johnson that people should avoid “pubs, clubs, theatres and other such social venues” during the pandemic, SOLT and UK Theatre has announced that member venues will close from the evening of Monday 16 March 2020.
Despite the combined skills of its performers, The Cutting Edge lacks pace and drive and the key moment of crisis, which always seems around the corner, never arrives.
The Cutting Edge passes on the message that art in all its forms is about the importance of the human experience, rather than an end in itself.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre including Maryam Philpott’s thoughts about Conor McPherson’s emphasis on comedy scenarios and personalities in his adaptation of Chekhov’s timeless play Uncle Vanya at the Harold Pinter Theatre
There is an urgency and an immediacy about The Canary and the Crow that will leave you thinking and questioning everything about British society long after you’ve left the theatre
The Canary and the Crow is full of humour and warmth and describes the challenging reality of being trained to be the “acceptable” face of Black Britain and how that impacts identify and worth.
London’s Arcola Theatre has announced its 2020 season, a special, year-long programme to celebrate the theatre’s 20th anniversary featuring familiar faces from the venue’s first two decades alongside exciting newcomers.
“A great piece of theatre”, “really moving, very thought-provoking” – check out what audiences think of Graeae’s touring production of drama One Under, and what critics have said, then book your tickets for its London runs at the Arcola Theatre.
As they prepare to bring Winsome Pinnock’s tale of a death and uncovering the story behind it to the Arcola Theatre next week, delve into the world of Graeae’s One Under with production images and a trailer. Time to book your tickets.
Hunger is a new adaptation by Fay Lomas of a 19th century novel by the same name, written by Norwegian author Knut Hamsun.
Tale of a tragedy, and unraveling the story behind it, Winsome Pinnock’s One Under comes to the Arcola Theatre next month following a successful UK tour. Book your tickets for the Graeae production now!
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
#WeAreArrested, a new RSC adaptation of Turkish editor Can Dündar’s prison memoir, is beautifully written and simply staged.
A great memorial, an unforgettable, nuanced testimony, we have to pay attention to what Until the Flood tells us. Listen, feel, and learn. Do see.
As the cast take on different characters in each other’s dreams and memories, their versatility shines and all three excel in their hauntingly comic performances. Anna Bella Eema is bizarre and beautifully poetic – a must-see show.
The strange but spellbinding Anna Bella Eema makes for an intriguing trip to the Arcola Theatre.
The Ring Cycle is opera’s biggest box set: a sixteen-hour binge of dwarves, nymphs, dragons, gods, heroes and monsters, all suspended inside one of the greatest philosophical conundrums expressed by the human mind – and set to glorious, extraordinary music.