A great memorial, an unforgettable, nuanced testimony, we have to pay attention to what Until the Flood tells us. Listen, feel, and learn. Do see.
As the cast take on different characters in each other’s dreams and memories, their versatility shines and all three excel in their hauntingly comic performances. Anna Bella Eema is bizarre and beautifully poetic – a must-see show.
The strange but spellbinding Anna Bella Eema makes for an intriguing trip to the Arcola Theatre.
The Ring Cycle is opera’s biggest box set: a sixteen-hour binge of dwarves, nymphs, dragons, gods, heroes and monsters, all suspended inside one of the greatest philosophical conundrums expressed by the human mind – and set to glorious, extraordinary music.
Overall, Al Smith’s play feels as though it is too meandering to be completely effective, but this production has a charm about it to keep you engaged from start to finish.
Carrying on a new series, our editor Lisa Martland picks out seven of her Top Picks from the last week of theatre (2-9 June 2019). Amidst her top choices are Maryam Philpott’s journey back to a time of political optimism in The Wardrobe Ensemble’s Education, Education, Education at Trafalgar Studios.
Conflicts between this updated production and the original script are a distraction, but despite this and because of such a talented cast performing Tennessee Williams’ The Glass Menagerie, I was still able to appreciate how well the piece was performed.
Written by Bim Adewunmi and directed by Femi Elufowoju Jr, Hoard takes the familiar scenario of the introduction of ‘the boyfriend’ to kin, but bringing the focus firmly on family dynamics.
This revival of American classic The Glass Menagerie is given new, unfamiliar, and achingly resonant life with its kitchen-sink drama set in the home of a black family.
Femi Elufowoju Jr’s production of The Glass Menagerie is fascinating with the tense and vibrant second half in particular proving both gripping and illuminating
There have been a number of plays that have dealt with the importance of ‘art’ and what the viewer brings to its ‘meaning’. Sitting – which is written by Katherine Parkinson and directed by Sarah Bedi – takes a different tact, focusing on the relationship the ‘sitter’ has with the person painting them.
This musical adaptation of the 2006 film Little Miss Sunshine is playing at the Arcola Theatre before embarking on a UK tour.
Every time I see a new musical made from a recent-ish film, I wonder if this could be ‘the one’, the one that jumps the shark and enters the canon of the regularly performed.
Tatty Hennessy’s debut play A Hundred Words for Snow is a female monologue about loss and polar exploration that retains its attractive brightness and sass.
Journalist, theatre critic, university lecturer and playwright Patrick Marmion plunders Moliere’s Tartuffe and borrows a smidge from Shakespeare and Euripides for his latest offering, a comedy called Keith? at London’s Arcola Theatre.
The European premiere of Little Miss Sunshine at Arcola Theatre will star Laura Pitt-Pulford as Sheryl, the matriarch of the eccentric Hoover family and Gary Wilmot as Grandpa. The Off-Broadway hit musical opens at the Arcola Theatre, London on 21 March 2019 running until 11 May (press night is 1 April) before embarking on a UK tour.
Actor Munashe Chirisa chatted to Emma Clarendon about his role in Stop & Search at the Arcola Theatre.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
Known for classic novels about human relationships such as Sons and Lovers, Women In Love and The Rainbow, DH Lawrence also tried his hand at writing plays. The Daughter-In-Law – which was performed and received critical acclaim posthumously – takes place in the familiar region of Nottinghamshire where most of his novels are set.
What I watched in Stop & Search has less to do with stop and search and more a jumble of thoughts and ideas thrown up in the air and left to sort themselves out into some semblance of a play.