Traditionally, audiences don’t go to Oklahoma! to be unsettled. On the other hand you don’t go to the Young Vic to have your expectations cosily met by a singalong, with the dark bits tastefully brushed over.
Daniel Fish’s sexed-up, pared-down version of Oklahoma! at the Young Vic Theatre (co-directed for London by Jordan Fein) is less a revival and more a full blown deconstruction of the original material.
The Young Vic presents a rather sexy version of Oklahoma! that replaces twee interpretations of cowboy country with a throbbing desire that inflicts the inhabitants of this rural town, and becomes a fascinating technical exercise in deconstructing a musical.
Al Smith’s new play was jinxed before it started – and, bogged down in cartoonish detail, it never really recovers.
Al Smith’s new play Rare Earth Mettle at the Royal Court is a meaty piece that covers a lot of ground.
New musical #ZoologicalSociety, written by Vikki Stone and Kate Mulgrew, gets a well-timed concept album release.
The Antipodes is certainly not the play for you if you want an easy, purely entertaining night at the theatre. However, if you’re willing to put in the effort and have something to chew over then it very much is for you.
While the descent into a kind of collective insanity may seem strange in lieu of a plot in Annie Baker’s Antipodes at the National Theatre, as with all her work you find your thoughts returning to it again and again once the curtain comes down.
Sweet Charity, Josie Rourke’s farewell production at the Donmar Warehouse which stars Anne-Marie Duff as Charity and Arthur Darvill as Oscar, appears to have charmed the majority of our Mates, with a few reservations here and there. The musical continues until 8 June 2019.
Love London Love Culture rounds up the reviews for Josie Rourke’s final production at the Donmar Warehouse, Sweet Charity.
The minute you walk in the joint (Hey, big spender!), the trumpets and sax blare an impertinent welcome and you’re in the right dive for Sweet Charity.
Director Josie Rourke ends her tenure at the Donmar Warehouse with a hip revival of Sweet Charity that pushes Anne-Marie Duff out of her comfort zone and shows a new side to Adrian Lester.
Nowhere near enough charm in this Sweet Charity for my liking. Josie Rourke’s farewell to the Donmar Warehouse is grey rather than silver.
Multiple guest actors will play the role of Daddy Brubeck in Josie Rourke’s production of Sweet Charity at the Donmar Warehouse including Shaq Taylor, Adrian Lester, Le Gateau Chocolat, Beverley Knight and Clive Rowe with further casting to be announced.
Full details of presenters, performances and special appearances have been announced for the Olivier Awards 2019 with Mastercard, which takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
The Donmar Warehouse has announced further casting for artistic director Josie Rourke’s farewell production Sweet Charity. Joining previously announced cast members Anne-Marie Duff as Charity and Arthur Darvill as Oscar will be Lizzy Connolly, Lauren Drew, Jo Eaton-Kent, Will Haswell, Charlotte Jaconelli, Stephen Kennedy, Debbie Kurup, Martin Marquez, Ryan Reid, Amy Ellen Richardson, Danielle Steers and Shaq Taylor. The musical will run from 6 April to 8 June 2019 (press night is 17 April).
Anne-Marie Duff will lead the cast in Donmar Warehouse’s artistic director Josie Rourke’s farewell production, Sweet Charity, opposite Arthur Darvill making his Donmar Warehouse debut as Oscar. The musical will run from 6 April to 8 June 2019 (press night is 17 April).
Harry Enfield and Arthur Darvill will lead the cast of Hampstead’s world premiere of Jemma Kennedy’s breakthrough play Genesis Inc from 22 June to 28 July 2018 (press night is 28 June).
Taylor Mac’s Hir comes loaded with worlds of contemporary resonances, particularly in its exploration of the disaffection of the American working class and its probing into multiple layers of gender politics.
Hir is set in a settlement somewhere in California’s Central Valley, where plywood houses have been built on landfill sites, and dozens lie empty, abandoned during an economic downturn. All is not well in the Connors’ cheap abode: fiftysomething Arnold is a plumber who lost his job to a Chinese-American.
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