The second pair of plays from #FinboroughFrontier’s quartet of pieces #VoicesFromUkraine reflecting on the situation in the war torn nation is now available. They join the first couple to form a suite of programmes focusing on life in the country as the inhabitants are invaded by a hostile force and their response to the situation.
Battersea Arts Centre announces a season of groundbreaking and playful work (April to July 2021) which explores fresh ways of living differently and sharing experiences.
When we left 1 and A in Episode 14 of Athena Stevens’ Late Night Staring at High Res Pixels they were both in some kind of moral and emotional jeopardy, and it seemed appropriate on International Women’s Day to return to this nuanced and considered exploration of female agency, solidarity and behaviour.
Late Night Staring At High Res Pixels is a dense and intense piece of work which examines the interplay of relationships but leaves the audience to come to its own conclusions about the motivations and intentions of the characters.
The winners of the Off West End Awards 2021, encompassing the Offies, OffFest, OnComm and OneOff Awards, have been announced in an online ceremony on 21 February 2021 via Scenesaver.
Late Night Staring at High Res Pixels has already become a gripping anatomy of relationships and the attempts to manipulate two quite different women.
The bright colours of the performance underline the surrealism of Scrounger’s quest for justice, and Athena Stevens, the first actor in a wheelchair nominated for an Offie, performs her story brilliantly.
As an insight into a member of society failed by systemic stupidity and social illiteracy, Athena Stevens’ new play Scrounger is particularly relevant.
This year’s Vibrant – A Festival of Finborough Playwrights concludes in Week Three, featuring three new plays that shine a light on challenges in modern Britain care of ETPEP Award winner Abigail Andjel, Olivier Award nominee Athena Stevens and Hannah Morley. We caught up with each of them in the last of our three-part festival interview series. Time to get booking!
Week Two of this year’s Vibrant – A Festival of Finborough Playwrights, features new plays set in Quebec, New Zealand and the bedroom, care of Colleen Murphy, Albert Belz and Sharmila Chauhan. We found out more about each of them in the second of our three-part festival interview series. Time to get booking!
Week One of this year’s Vibrant – A Festival of Finborough Playwrights, features new plays set in Israel, Turkey and your local pub, care of Einat Weizman (and Palestinian political prisoners), Melis Aker and Stewart Pringle. We caught up with each of them in the first of our three-part festival interview series. Time to get booking!
Vibrant – A Festival of Finborough Playwrights, the Finborough Theatre’s annual explosion of new writing, returns this week for its eleventh consecutive year, presenting nine new plays on Sundays, Mondays and Thursday from 16 June to 4 July 2019.
Someone at the Globe may have sold their soul to the devil after all because it is the companion piece to Doctor Faustus, Dark Night of the Soul, that is exactly the kind of successful initiative they need.
Two scratch-your-head stats shared during my post-show Q&A for Schism at London’s Park Theatre: one, less than five percent of the UK population has dated someone with a disability, and two – wait for it – only one in four have even had a conversation with a disabled person.
I really enjoyed Schism, for the socio-political and psychological issues it raises. I also loved the depiction of how an unlikely relationship develops and how the couple destroys their relationship, almost destroying each other in the process.
Athena Stevens’ Schism is a bold and candid two-hander about ambition, power and determination, played out over 20 years in a stormy relationship that is more Machiavellian than true romance.