Inspired by the humour and spontaneity that comes from cold reading, Nassim Soleimanpour has developed what has become his trademark style of reflective, personal writing performed by an actor who knows nothing of the play.
Coulrophobia – Two Clowns Trapped In A Cardboard World is performed by Dik Downey (company director) and Adam Blake. The tragic twosome pull out a series of cardboard puppets as they frolic about a set full, but not quite full enough, of cardboard boxes.
The spectators are cast as the TV studio audience; a flashing sign above our head encourages us to applaud. Unfortunately there isn’t much to celebrate in this production set around two-out-of date performers trying to re-launch their career.
A self-described modern rep company, Merely Theatre is addressing Shakespeare’s gender problem with 50/50 casting. Five male/female pairs each learn a set of characters in two plays, then on the night it’s decided who will perform.
Oneohone – a company specialising in interactive pieces – showcase a series of six shows, and I can only imagine that the other pieces were more successful than the piece that I see, which was at times a stilted, awkward affair.
Gavin Plimsole is a good enough guy. A bit geeky and nervous but well-meaning, maybe even a bit endearing if you like that sort of thing.
Amy Fleming’s dad committed suicide when she was four years old. Fleming struggles with mood swings and wonders if she’s “mental,” like her dad. Luckily, she studied Molecular Medicine before becoming an actor so she understands how genetics dictates our characteristics. She also knows that talking about our problems and developing positive habits helps us overcome them.
Will Adamsdale’s standup/solo performance creation Chris Jackson is a motivational speaker and life coach, and the audience is at his seminar to learn his life changing methods. Jackson’s Way: The Christmas Top-Up Power Seminar! teaches you the importance of attempting meaningless or impossible actions, or “jactions”, in our lives that are otherwise filled with purpose. Adamsdale’s script has a clear narrative but somewhat lacking in follow through – we never really learn precisely WHY we should be filling our time with jactions, but the character’s detailed biography and emotional journey through the Christmas story is satisfyingly seasonal.