This is a labour of love. Hilary Mantel has adapted The Mirror and the Light, the third novel of her Tudor trilogy, in collaboration with actor Ben Miles.
The Royal Shakespeare Company has confirmed that The Mirror and the Light will end its run on the previously planned date of Sunday 28th November 2021 and not perform the planned extension to January 2022.
BY HILARY MANTEL AND BEN MILES
Playful Productions and the Royal Shakespeare Company have confirmed today that The Mirror and the Light will end its run on the previously …
It was rising eight years ago that the first two parts of Hilary Mantel’s majestic Wolf Hall trilogy came to the stage, adapted by Mike Poulton and directed by Jeremy Herrin.
Hilary Mantel and Ben Miles have combined a sizeable semi-fictional tome and the familiar historical story of Henry VIII, distilling them into a properly theatrical show with something new to say about this era and the humble man who, for 10 years, commanded a king.
One of the pleasures — but also the risks — of being a theatre critic is that you come first to a new production, ready to form your own opinions on what you’ve seen, before you’ve already encountered or digested the opinions of others.
Producers Playful Productions and the Royal Shakespeare Company have announced initial casting for The Mirror and the Light in the West End.
The Royal Shakespeare Company has announced that The Comedy of Errors will transfer to the Barbican for a strictly limited London run following a season in Stratford-upon-Avon and a short national tour.
Producers Playful Productions and the Royal Shakespeare Company have announced that the third and final novel in the Wolf Hall trilogy, The Mirror and the Light has been adapted for the West End stage. The world premiere will run at London’s Gielgud Theatre from 23 September for a strictly limited season until 28 November, with an opening night on 6 October.
Notwithstanding its flawed message, in these times of unparalleled political polarisation The Lehman Trilogy will be lapped up by eager audiences. And for sheer technical theatrical genius, the play is in a class of its own.
Musicals Company and Come From Away top the Olivier Awards 2019 nominations with nine nods each, while The Inheritance is the most recognised play with eight nominations. The ceremony takes place on Sunday 7 April at the Royal Albert Hall, hosted by Jason Manford.
Normally I do two of these – Top Ten Shows and Top Ten Performances – but this year I’m combining the two – plus some sundry other awards.
The West End transfer of the National Theatre’s The Lehman Trilogy, directed by Sam Mendes, will play at the Piccadilly Theatre from 11 May 2019 for a 12-week season. Simon Russell Beale, Adam Godley and Ben Miles will reprise the roles they originated at the National.
Stefano Massini’s work about the origins of Lehman Brothers Bank is a domestic epic and a remarkable evening of theatre.
The financial crash of 2008 has much to answer for, I think. Top of the list? Brexit and President Trump. One thing it has yet to really produce though, for my money (pun intended), is any really great theatre. Or perhaps I should qualify that statement: no really great theatre in English.
Like America promises so much to Henry Lehman when he stands on the dock side, The Lehman Trilogy at the National Theatre promised so much as well.
Sam Mendes directs this production of Stefano Massini’s The Lehman Trilogy starring Simon Russell Beale, Ben Miles and Adam Godley. Here Love London Love Culture rounds up the reviews…
The clarity and resonance of the writing turns the tale into art, and the quality of direction, design and, above all, the magnificence of the acting, make this one of the best theatre experiences of the entire year.
Like two of its major successes last year, Oslo and Network, and despite some flaws, The Lehman Trilogy is another unmissable state-of-our-world account from the NT. Do see it if you can.
The Lehman Trilogy is an intelligent look behind the scenes of the American Dream and the smoke and mirrors of the corporate world, brought to light by Mendes’ astute direction and a stellar cast.
The Lehman Trilogy is a tale of boom to bust: Stefano Massini’s epic play, adaptedby Ben Power, takes a generational viewpoint to move us through 170 years of American history and three generations of Lehman men.
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