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In London theatre, Musicals, Opinion, Reviews by Edward SeckersonLeave a Comment

Rufus Norris may have commissioned a new adaptation of the Brecht by Simon Stephens to tick myriad boxes of contention from the politics of gender, sexuality, disability, and (naturally) the Middle East to the ever looming shadow of radical nationalism but no amount of theatrical panache and comic posturing can ever really disguise the fact that between the songs Threepenny Opera is a bore.

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Photos and podcast: The politics of theatre at The Caucasian Chalk Circle Q&A

In Audio, Features, Interviews, London theatre, Opinion, Photos, Plays, Quotes by Terri PaddockLeave a Comment

What’s the difference between political theatre and theatre about politics? Can theatre be a catalyst for real change? Do right-wing political perspectives get a fair hearing onstage or is theatre the preserve of the left-wing? And how much does modern political theatre owe to Bertolt Brecht?