The Art of Illusion won several awards when it opened in Paris in 2014. Now it gets its London premiere at the Hampstead Theatre but will this play about magic and illusion conjure up some English awards?
‘Plenty of theatricality to enjoy along the way’: THE ART OF ILLUSION – Hampstead Theatre
From a red handkerchief disappearing within the hands of a magician to fake footage in the early 20th century, Hampstead Theatre’s latest international import is the UK premiere of The Art of Illusion, a 2014 French play exploring the history of magical performance and inventive approaches to entertaining audiences.
‘There is enough heart & brain in the play to keep it going’: RED ELLEN – Edinburgh ★★★
Red Ellen, at the Lyceum, co-produced with the Nottingham Playhouse and Northern Stage, suffers from many of the faults that affect biographical drama, and is far too long for its own good. Nevertheless, it has an abundance of compassion and an excellent central performance from Bettrys Jones.
‘The sound design is all important’: MONSTER / HAIRY HANDS FM (Online review)
Two horror based audio plays/experiences, Monster and Hairy Hands FM, use sound to full effect to creep you out.
‘A great statement of intent from Emma Rice’: WISE CHILDREN – The Old Vic ★★★★
Wise Children is a beautifully designed and performed show, that’s faithful to the source material without ever feeling constrained by it – a great statement of intent from Emma Rice.
NEWS: Full cast announced for world premiere production of Wise Children at the Old Vic & touring
The Old Vic has announced the cast of Angela Carter’s Wise Children – adapted and directed by Emma Rice – which will have its world premiere at The Old Vic on 17 October 2018, with previews from 8 October, ahead of its UK tour.
‘Exactly the kind of show needed to kickstart the new season’: AS YOU LIKE IT – Shakespeare’s Globe ★★★★
As You Like It is exactly the kind of show that was needed to help kickstart the new season at the recently rebranded Globe; bright & joyful and a real celebration of Shakespeare’s work (without being overly reverential).
‘Don’t cohere as part of an over-arching style or concept’: AS YOU LIKE IT / HAMLET – Shakespeare’s Globe
Though there are plenty of positive elements across As You Like It and Hamlet, they don’t cohere as part of an over-arching style or concept.
‘The play has worked its magic again’: AS YOU LIKE IT – Shakespeare’s Globe ★★★★
Here, in Shakespeare’s, 400 years ago, actors ‘conjured’ and beguiled their audiences. And so here, too, in 2018, theatre and As You Like It has again worked its magic.
‘A strong opening gambit from Terry’: AS YOU LIKE IT / HAMLET – Shakespeare’s Globe
A strong opening gambit then from Michelle Terry with As You Like It and Hamlet, and one which makes me quietly excited for her tenure as she further explores how inclusive Shakespeare can be for audiences both old and new.
NEWS: Casting revealed for Michelle Terry’s gender-blind inaugural season at Shakespeare’s Globe
Shakespeare’s Globe has announced casting for Hamlet and As You Like It, the opening shows of Michelle Terry’s first season as artistic director.
WE WANT YOU TO WATCH – Touring
What would the world be like if we could annihilate pornography? How different would our world be if we could ban online porn and just start again? It’s an interesting debate and the subject of Rash Dash Theatre Company’s current production, We Want You To Watch.
WE WANT YOU TO WATCH – National Theatre
PORN AND PHYSICALITY We’re all on the same page here, right? Online pornography is increasingly violent, graphically displaying real, abusive sexual acts devoid of tenderness. Rapist sex is perversely extreme, anatomically damaging and profoundly corrupting to the angry, the lonely, … Continue reading →