Bill Kenwright presents the much loved musical LA CAGE AUX FOLLES with John Partridge as ‘Albin/Zaza’ and American TV star Adrian Zmed as ‘Georges’, opening at New Oxford Theatre on Thursday 5 January 2017 before embarking on its first-ever nationwide tour, with further dates to be announced.
Miss Atomic Bomb blasts onto the St James stage with a visually impressive bang. In a show that’s a chain reaction of spectacular dance work (including some delicious tap routines), choreographer Bill Deamer’s fingerprints (or rather footprints) are everywhere. Deamer, who also co-directs, has a consummate understanding of the spectacular and the dancing here is amongst the best in town.
It’s a rare and wonderful thing these days to see a brand new musical – not a revival, not a musical based on a movie, but a shiny, original, fresh-out-the-box show. Not that Miss Atomic Bomb, which opened this week at St James Theatre, is that new; apparently it’s been in development for five years. And was it worth the wait? I think so…
A brand new musical to hit London, Miss Atomic Bomb is set in 1952 Las Vegas and is about nuclear blasts and beauty queens – but does it win approval with critics?
Considerable musicality and dollops of goodwill cannot hide the huge basic problems at the heart of The Glenn Miller Story.
Award winning star of TV and theatre, Catherine Tate (Assassins, The Catherine Tate Show, The Vote, Doctor Who) and Dean John-Wilson (Aladdin, Here Lies Love), who takes lead role in Disney’s Aladdin this summer, will lead the cast in the new musical comedy Miss Atomic Bomb, alongside musical theatre stars Florence Andrews (A Little Night Music, Annie Get Your Gun), Simon Lipkin (The Lorax, Assassins, Rock of Ages, Avenue Q) and Daniel Boys (Any Dream Will Do, Avenue Q, Spamalot) as it explodes into the UK for its World Premiere at the St James Theatre, Victoria, in Spring 2016. The production will be running from 7 March for a strictly limited five week season, with press night on 14 March 2016.
It wasn’t an official Sound of Music Singalong, but rapturous audience members forming an impromptu ensemble as the overture led into the second half of the show.
As soon as Steele walked on the stage there was applause, we see a twinkle in his eye and his broad smile that we have come to expect. I like many of the audience I would imagine, after the performance, Google Tommy Steele’s age only to find that he is in his late 70’s and yet he stood before us upright and the national treasure he has become. With his charismatic charming personality and voice as strong as ever, this born showman was ready to entertain us.
The mammoth Bill Kenwright year-long tour provides a perfect lens through which to examine the durability and the curiosity of The Sound of Music. On the 50th anniversary of the movie release it’s tempting to believe British audiences come more to see a re-enactment of Julie Andrews’ personal triumph than a sugared and Popishly corrupted version […]
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