The sold-out live-streamed world premiere production of Lolita Chakrabarti’s Hymn, originally due to play to socially distanced audiences at the Almeida Theatre, will be available to rent on demand from 3-9 March 2021.
We round up the reviews for Lolita Chakrabarti’s new play Hymn, starring Adrian Lester and Danny Sapani.
The world premiere production of Lolita Chakrabarti’s Hymn, originally due to play to socially distanced audiences at London’s Almeida Theatre, will now be streamed live from the theatre for five performances from 17-20 February 2021 (press performance is 18 February). Directed by Blanche McIntyre, the play features Adrian Lester in the role of Gil and Danny Sapani as Benny.
Almeida Theatre artistic director Rupert Goold has announced a socially distanced season of three world premieres for Christmas 2020 and into 2021.
Life as it is currently lived in 14 playlets: Most of the plays are about ten minutes in duration and punch well above their weight featuring writing by the likes of James Graham and April de Angelis.
Anne-Marie Duff returns to the Almeida Theatre to star in the world premiere of Beth Steel’s new play The House of Shades. Full casting for the theatre’s UK premiere of Daddy is also announced.
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Botticelli in the Fire now playing at the Hampstead Theatre.
Jordan Tannahill’s queering of Renaissance art in Botticelli In The Fire is riotously vulgar and completely unapologetic mash up.
Bartholomew Fair is full of energy and highly entertaining throughout, while making no attempt to glamorise the city’s underbelly.
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Bartholomew Fair, now playing at the Sam Wanamaker Playhouse.
Ahead of Hamstead Theatre’s 60th birthday next year, new artistic director Roxana Silbert recently announced her inaugural season at the north London venue, including six premiere plays written by Frances Ya-Chu Cowhig, Jordan Tannahill, Tom Morton-Smith, Al Blyth, Ruby Thomas and Chinonyerem Odimba.
Shakespeare’s Globe has announced its summer season 2019. The celebration and interrogation of ‘our sceptred isle’ through Shakespeare’s history plays continues with Henry IV Parts 1 and 2, and Henry V, while elsewhere there is A Midsummer Night’s Dream, The Merry Wives of Windsor, Ben Jonson’s Bartholomew Fair, and the return of 2018’s As You Like It.
Denis O’Hare, making his National Theatre debut as Tartuffe, will be joined by Kevin Doyle as Orgon and Olivia Williams as Elmire in a new version of Molière’s comic masterpiece by John Donnelly. Directed by Blanche McIntyre, the production will run in rep from 9 February to 30 April 2019 in the Lyttelton Theatre.
A ‘ferocious new version’ of Molière’s comic masterpiece Tartuffe by John Donnelly will open in February 2019 at the National Theatre with Denis O’Hare making his NT debut in the title role. Previews for Tartuffe begin on 9 February, with a press night on 21 February, and the show is currently on sale until 30 April. Orgon is the man who …
Rufus Norris has unveiled the National Theatre’s plans for 2019 and beyond. Highlights include the world premiere of Small Island adapted by Helen Edmundson from Andrea Levy’s novel, directed by Rufus Norris.
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of The Winter’s Tale, playing at the Shakespeare’s Globe until 14 October.
This is a superb and brilliantly performed production of Shakespeare’s ‘problem’ play. If you know the Globe, this Winter’s Tale is a terrific summer show. If you don’t know the venue, then what an introduction.
An enlightening production of a potentially troublesome play, fantastically well conceptualised and beautifully designed – complete with some memorable and scene-stealing performances.
The Writer makes a strong case for theatre as a place to debate the most urgent issues of the day and prove that, for some women, experimenting with form is not an option, but a necessity.
The Writer is and should be a show that will divide audiences, but while the piece is pointed social commentary, it also has dramatic flaws that start to put out its own fire.
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