Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Botticelli in the Fire now playing at the Hampstead Theatre.
Jordan Tannahill’s queering of Renaissance art in Botticelli In The Fire is riotously vulgar and completely unapologetic mash up.
Bartholomew Fair is full of energy and highly entertaining throughout, while making no attempt to glamorise the city’s underbelly.
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Bartholomew Fair, now playing at the Sam Wanamaker Playhouse.
Ahead of Hamstead Theatre’s 60th birthday next year, new artistic director Roxana Silbert recently announced her inaugural season at the north London venue, including six premiere plays written by Frances Ya-Chu Cowhig, Jordan Tannahill, Tom Morton-Smith, Al Blyth, Ruby Thomas and Chinonyerem Odimba.
Shakespeare’s Globe has announced its summer season 2019. The celebration and interrogation of ‘our sceptred isle’ through Shakespeare’s history plays continues with Henry IV Parts 1 and 2, and Henry V, while elsewhere there is A Midsummer Night’s Dream, The Merry Wives of Windsor, Ben Jonson’s Bartholomew Fair, and the return of 2018’s As You Like It.
Denis O’Hare, making his National Theatre debut as Tartuffe, will be joined by Kevin Doyle as Orgon and Olivia Williams as Elmire in a new version of Molière’s comic masterpiece by John Donnelly. Directed by Blanche McIntyre, the production will run in rep from 9 February to 30 April 2019 in the Lyttelton Theatre.
A ‘ferocious new version’ of Molière’s comic masterpiece Tartuffe by John Donnelly will open in February 2019 at the National Theatre with Denis O’Hare making his NT debut in the title role. Previews for Tartuffe begin on 9 February, with a press night on 21 February, and the show is currently on sale until 30 April. Orgon is the man who …
Rufus Norris has unveiled the National Theatre’s plans for 2019 and beyond. Highlights include the world premiere of Small Island adapted by Helen Edmundson from Andrea Levy’s novel, directed by Rufus Norris.
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of The Winter’s Tale, playing at the Shakespeare’s Globe until 14 October.
This is a superb and brilliantly performed production of Shakespeare’s ‘problem’ play. If you know the Globe, this Winter’s Tale is a terrific summer show. If you don’t know the venue, then what an introduction.
An enlightening production of a potentially troublesome play, fantastically well conceptualised and beautifully designed – complete with some memorable and scene-stealing performances.
The Writer makes a strong case for theatre as a place to debate the most urgent issues of the day and prove that, for some women, experimenting with form is not an option, but a necessity.
The Writer is and should be a show that will divide audiences, but while the piece is pointed social commentary, it also has dramatic flaws that start to put out its own fire.
Samuel West, Michael Gould and Lara Rossi will join the previously announced Romola Garai in the world premiere of Ella Hickson’s The Writer at the Almeida Theatre, directed by Blanche McIntyre.
Headed up with an engaging performance from RSC stalwart David Troughton as the frail but somehow still intimidating Titus Andronicus, the play is quite the ride with humour kept firmly at the forefront even as Titus finds himself losing a limb, very slowly.
Blanche McIntyre’s production features a fine performance from David Troughton in the title role. His performance as Titus, intensely watchable, is wracked with grief and both real and staged insanity.
Director of Nuffield Southampton Theatres, Samuel Hodges, today announces their new season for 2018. This announcement also marks the opening of the brand new NST City, NST’s newly built theatre in Southampton’s city centre. Their 2018 season of work will be spread across both the new venue and their original home, NST Campus. The season is comprised of four world …
Sometimes a character exits to join another play, or comes in from a scene you will only see in the next show. The final part begins half an hour before the first and ends after them all, providing prequel and sequel by half an hour.
Blanche McIntyre strives to give an aura of political correctness to her take on the bloodiest of Shakespeare’s plays – but she misses the point. Titus Andronicus is always going to be more about its final act’s Imperial Bake-Off than it will ever be about the failings of society.
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