Alys, Always, a adaptation of Harriet Lane’s psychological and satirical bestseller, is neither vital, nor convincing.
The Inheritance at the Noel Coward Theatre has been rightly lauded as a major piece of 21st-century theatre and Lopez has a gift for crafting argument and dialogue with sensitivity and innate understanding.
Alan Bennett’s latest play has officially opened at the Bridge Theatre, the premiere production directed by Bennett’s frequent collaborator and Bridge artistic director Nicholas Hytner. Here, Love London Love Culture rounds up the reviews….
Allelujah! is not a masterpiece, mainly because most of the characters are underdeveloped and there is too much going on, but it is extremely funny and it has something very urgent to say, and says it without compromise.
A love letter to the NHS, masterfully written by Alan Bennett with lots of lovely touches – the 25-strong cast is impressive and really brings the play to life.
So, that just happened! Despite some small disappointments in the nominations (nothing too much, just some things felt unnecessarily overlooked), I was rather looking forward to this year’s Oliviers.
In its incorporation of Howards End and the conversation between its fictional literary inspiration and its contemporary – Matthew Lopez – The Inheritance manages to create something wholly fresh and original about denial, truth and progress.
A stage musical of Pinocchio sounds like a brilliant idea, but all the magical stagecraft in the world cannot save a show if the book is weak.
After choosing in 2016 to focus on Shakespeare (in the 400th anniversary of his death), I went completely different this year and made it my mission to learn more about, and see more shows featuring, puppets.
Award-winning John Tiffany directs, bringing to life a show that has been in his thoughts for several years now – he’s joined on the team by long-standing collaborator Bob Crowley, as well as Toby Olié as puppet director.
Here’s what London is crying out for: an escape to Paris. And not the Paris of Marine Le Pen or any other modern foes and woes, but the sumptuous Hollywood Golden Age version now bursting into technicolour life onstage at the West End’s Dominion Theatre via New York and, yes, appropriately, Paris.
This is the big one, the Broadway spectacular, the one where rom-com meets top-flight ballets in more costumes than you can blink at; where dream-sequences explode into surreal immensity.
John Tiffany returns to the West End for the first time since Harry Potter and the Cursed Child: Parts One and Two, to bring his acclaimed production of Tennessee Williams’ The Glass Menagerie to the Duke of York’s Theatre for a limited season from 26 January 2017.
Sultry: There is a taut emotional quality to John Tiffany’s production of Tennessee Williams classic The Glass Menagerie at the King’s Theatre as part of the Edinburgh International Festival.
First production images for ALADDIN have been released today ahead of its official opening night at the Prince Edward Theatre on Wednesday 15 June 2016. Disney’s new West End musical began preview performances on Friday 27 May and tickets for the spectacular production are now on sale for performances up to and including 11 February 2017.