Love London Love Culture rounds up the reviews for Tina – The Tina Turner Musical, show based on Tina Turner’s life and career, which has transferred to Broadway.
NEWS: British hit musical Six announces its Broadway transfer
The West End musical phenomenon Six by Toby Marlow and Lucy Moss will open in New York at the Brooks Atkinson Theatre on 12 March 2020. Performances will begin on 13 February 2020.
ON BROADWAY: Rodgers & Hammerstein’s Oklahoma! is a ‘cynical practical joke on theatregoers’
An Off-Broadway show with the nerve to charge Broadway prices, the “Bard Summerscape Production of” Oklahoma! plays out like a cynical practical joke on theatregoers. The egregious experiment is a blight on 75-plus years of American musical theatre.
ON BROADWAY: Beetlejuice the Musical is a ‘sassy, crowd-pleasing guilty pleasure’
Pure escapist fun, new Broadway musical Beetlejuice runs high on daffy hilarity with an irresistible undercurrent of snarky wickedness.
Love London Love Culture’s Broadway Picks
Love London Love Culture’s Emma Clarendon picks out some of the shows on Broadway she wants most to see…
MISSED THE BOAT: Hadestown
I’m not quite sure how I managed to miss Hadestown at the National Theatre before it transferred to Broadway, where it has picked up 14 Tony Award nominations.
Album Review: What’s Inside – Songs from Waitress
Whilst What’s Inside: Songs from Waitress isn’t a vital piece for your collection, it’s definitely something that the more enthusiastic fan should wrap their ears around.
NEWS: Cast announced for the UK premiere of Gloria Estefan’s On Your Feet
Broadway star Christie Prades will reprise her role as ‘Gloria Estefan’ for the UK premiere, alongside George Ioannides as ‘Emilio Estefan’, and at certain performances, the role of ‘Gloria Estefan’ will be played by Philippa Stefani. Madalena Alberto will play ‘Gloria Fajardo’, Karen Mann ‘Consuelo’.
ON BROADWAY: To Kill A Mockingbird makes for ‘an unforgettable night at the theatre’
A towering achievement, To Kill A Mockingbird comforts with nostalgic charm and crackles with potent relevance, the deft combination of which makes for an unforgettable night at the theatre.
BROADWAY: Clueless the Musical ‘needs a magic ingredient to make it fly’
On paper, the blue-chip title, solid production values and enthusiastic young cast should be enough to make Clueless the Musical a hit, yet the new Off-Broadway musical is missing the ever elusive magic ingredient needed to really make it fly.
CD Review: Broadway – Renée Fleming
Renée Fleming’s choices are shrewd and wide-ranging in her Broadway album, embracing the contemporary and the classic in pretty much equal measure whilst demonstrating that style in this repertoire probably has more to do with attitude than technical adjustment. More, but not all.
CD REVIEW: Carousel – 2018 Broadway Cast Recording
This is also a beautifully sung revival of Carousel on Broadway – and even having not seen it I can tell that these terrific artists are truly ‘acting through song’.
REVIEW ROUND-UP: Pretty Woman at Broadway’s Nederlander Theatre
Pretty Woman the Broadway musical is featured highly on LLLC’s six musicals that need to come to London list – so here’s what the critics have been making of it…
MISSED THE BOAT: Amélie
Amélie is my favourite French film, and where I first discovered the magical Audrey Tautou; the prospect of seeing it performed onstage was an intriguing one, with the film’s slightly quirky and surreal nature
ON BROADWAY: The Boys in the Band has ‘a dangerous and dark undertone to it’
The Boys in the Band is known for being the “first gay play”. Obviously not the first by any stretch it was, however, the first commercially successful, and if you will ‘mainstream’ gay play. It also was one of few to reach that status before the AIDS epidemic hit and changed the gay community.
ON BROADWAY: ‘a heartbreakingly beautiful interpretation’ of Carousel ★★★★★
This is a heartbreakingly beautiful interpretation of probably the darkest musical to have emerged from Broadway’s Golden Years but, and not unlike The Starkeeper himself, Jack O’Brien has firmly fixed his Carousel in the firmament of 21st-century musical theatre.
ON BROADWAY: A ‘handsome, impeccably cast’ revival of classic Carousel
Cherished classic Carousel returns to Broadway in this handsome, impeccably cast revival.
ON BROADWAY: The ‘riotously colourful’ SpongeBob SquarePants the Musical
So riotously colourful that it makes The Lion King look noir, SpongeBob SquarePants the Broadway Musical is a giddily gleeful confection of music and movement that rightfully takes its place as a fully fledged Broadway musical.
ON BROADWAY: The Band’s Visit
Gently understated and leisurely paced, The Band’s Visit is the antithesis of the current Broadway musical and is all the richer for it.
ON BROADWAY: Mean Girls
Mean Girls has commenced its Broadway run as a hot ticket, a situation likely to escalate as positive word of mouth spreads. The new musical is sure to play London, Australia and beyond, with a prolific non-professional life to follow.