Love London Love Culture rounds up the reviews for the new play The Tyler Sisters by Alexandra Wood.
In The Tyler Sisters Alexandra Wood reverses expectations of storytelling and in the process fills a notable gap in charting the experience of just being a sister day-to-day and year-to-year.
Bartholomew Fair is full of energy and highly entertaining throughout, while making no attempt to glamorise the city’s underbelly.
Love London Love Culture rounds up the reviews for Blanche McIntyre’s production of Bartholomew Fair, now playing at the Sam Wanamaker Playhouse.
Unsuccessful West End outing for Dawn King’s intriguing and evocative 2011 dystopian chiller.
Iwan Rheon and Heida Reed star in the West End premiere of Dawn King’s thriller Foxfinder, now playing at the Ambassadors Theatre. Love London Love Culture rounds up the reviews…
Foxfinder is a mysterious drama that chimes eerily well with the current political climate and general sense of unease – an atmospheric piece with terrific performances from the cast of four.
Timing is everything. When Foxfinder opened at the Finborough in December 2011, it was hailed as a ‘darkly thrilling’ new voice and subsequently earned its writer, Dawn King, a glut of awards from the Royal National Theatre Foundation Playwright scheme to a Pearson Award Playwright-in-Residence bursary.https://mytheatremates.entstix.com/tickets/foxfinder
The Foxfinder of the title is William (Iwan Rheon) sent to examine the farm of Judith (Heida Reed) and Sam (Paul Nicholls) where the crop yield is below target.
August was dominated by Edinburgh for me but the London theatre wheels were still turning; here’s my round up of my favourite bits of news, my theatre hits and misses and few celeb spots…
Olivier nominee Bryony Hannah (Call the Midwife) and Paul Nicholls (Law & Order, The C-Word, EastEnders) will join the cast of Foxfinder’s West End premiere which begins performances at the Ambassadors Theatre on 6 September 2018
Sadly, despite a few crisp one-liners and a catchy title I’m surprised was never used elsewhere, Twilight Song emerges as a frail Rattiganesque slice of sixties’ repressed sexuality contrasted with an awkward contemporary tryst between Adam Garcia’s cash-strapped estate-agent-turned-hustler and Paul Higgins’ desperate mothers’ boy.
Completed shortly before his death in 2014, Kevin Elyot’s Twilight Song now belatedly receives its premiere courtesy of the Park Theatre. The play doesn’t emerge as one of his strongest though; the shadow of the excellent My Night With Reg lingers long over the scant 75 minutes here.
Barry’s relationship with his mother is at best difficult, but as we delve into their family history it soon becomes clear the depth of resentment that Isabella has had for events that have taken place in her life such as the loss of a child and a distant (as it turns out gay) husband and her constant struggle to accept the way her life has turned out.
The premiere of Kevin Elyot’s final play, Twilight Song, in the 50th anniversary year of the decriminalisation of homosexuality, is a fitting tribute to a creator who writes honest and open queer theatre. And as such, it’s a bittersweet tale, effortlessly interweaving stories of past regrets and frustrated presents.
In his first season as artistic director of Theatre N16, Scott Ellis presents a slew of new writing.
Olympilads by Andrew Maddock, produced by Lonesome Schoolboy and directed by Niall Phillips, reunites the team that presented He(art) at Theatre N16 earlier this year.
Adam Garcia, Bryony Hannah and Paul Higgins will lead the cast in a new Park200 production of Twilight Song, the final play by Kevin Elyot and set on summer evenings in the 1960s and the present day.