Nicholas Hytner returns to the world of Philip Pullman with an impressively atmospheric take on The Book of Dust – La Belle Sauvage at the Bridge Theatre.
By the end of Orange Tree Theatre’s production of Bryony Lavery’s Last Easter the certainty that friendship and love are life’s true miracles is quietly and effectively realised.
Dates are now confirmed for Philip Pullman’s The Book of Dust – La Belle Sauvage at the Bridge Theatre. Directed by Nicholas Hytner in Bryony Lavery’s new stage adaptation which takes place 12 years before Pullman’s epic His Dark Materials trilogy, performances are from 2 December 2021 to 19 February 2022 with opening night on 14 December.
Simon Russell Beale will play JS Bach in the world premiere of Nina Raine’s Bach & Sons, directed by Nicholas Hytner at the Bridge Theatre from 23 June to 9 September 2021 with opening night on 29 June 2021.
Artistic director Sean Foley has announced his programme for the 50th anniversary season of Birmingham Repertory Theatre in its current home on Centenary Square.
15 Heroines is an impressive and energised reworking of Greek myth that leaves the audience keen to find out more about each of these women and their remarkable lives.
Being a woman in Greek Mythology isn’t easy and for the most part they sit on the sidelines, forgotten sideshows to what are predominantly male narratives of war, conquest and feats of daring. Where women do feature, they are mere prizes to be won,…
Reinterpreting the women of Greek mythology for today, the theatrical enterprise of 15 Heroines is a major achievement and a highlight of the year, digital or otherwise.
Birmingham Repertory Theatre has announced 12 new commissions titled The Park Bench Plays – a series of micro-plays that ‘illuminate, interrogate and even celebrate today’s socially distanced world’.
This lovely musical based on David Walliams’ children’s book is filled with fun and mischief.
A selection of much-loved National Theatre Live productions will be made available to watch on YouTube for free over the next two months.
New 2020/2021 productions at London’s Bridge Theatre will begin with Polly Findlay directing Roger Allam and Colin Morgan in Caryl Churchill’s play A Number at London’s Bridge Theatre.
David Walliams has an incredible talent of telling stories of normal, everyday children who achieve remarkable things in the face of adversity, with a fair amount of gross humour and giggles thrown in – The Midnight Gang is no exception.
The Lovely Bones is one of the best plays I’ve seen this year. In fact, Melly Still’s vital production is the best page to stage adaptation I’ve seen since Curious Incident.
You’re riveted from the very first second of The Lovely Bones. Shocking, horrifying and heart-wrenching this remarkable 100-minute stage adaptation of Alice Sebold’s international best-seller is nothing short of a masterpiece.
Bryony Lavery – no stranger to dangerous topics after her unsettlingly brilliant Frozen – adapts Alice Sebold’s novel The Lovely Bones for this first stage version, directed by Melly Still.
The Lowry’s Week 53 festival continues with this new adaptation of Brighton Rock. The festival theme of ‘coming of age’ seems to have been stretched pretty far in the search for content, but that doesn’t necessarily stand in the way of a good night of theatre.
For a fast-paced and thought-provoking evening at the theatre which simultaneously offers very real, believable insight into gangster life, Brighton Rock has it all.
This production of Brighton Rock has a striking physicality to it, utterly eyecatching but careful not to overly glamourise this noirish world.
The beautifully fast, fluid staging moves of Brighton Rock combine with a loving creation of that dark 1950s seaside underworld complete. And the two young principals are more than worth seeing.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
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