Why has the Campaign Against Living Miserably (CALM) got involved with the play? Why did the director choose not to relocate the play to the UK? How have the actors visualised the absent but ever-present Joel and their characters’ relationships with him?
A middle-aged, gay Welshman contemplates the English class he teaches in Hong Kong. Amongst the students is Windy, the Chinese woman with whom he shares his bed.
Owen fields three characters: Paul, smarmy son of an industrialist, has invented a game, Killology, in which players torture their victims. Sounds gross enough, but Paul has given it an extra dimension: you score more points depending on how creative you are in your torturing.
The Theatre Royal Haymarket Masterclass Trust (Masterclass) are partnering with anti-bullying charity Kidscape to create Cyberscene – an innovative project which will use theatre to support the health and well-being of young people affected by cyber bullying.
It’s been 455 days since I was walked out of the offices of WhatsOnStage, the company that I co-founded. And today I can finally, officially and publicly say: I did nothing wrong and should not have been dismissed. To say that the past 15 months have been extremely long and difficult for me is an understatement, and […]