Breffni Holahan delivers Margaret Perry’s script for Collapsible with an unrelenting energy that starts high and reaches stratospheric levels.
Collapsible is a one woman monologue by Margaret Perry exploring anxiety and mental health in the face of a modern and overwhelming world.
The award-winning Edinburgh Festival Fringe hit Baby Reindeer follows a sold-out season at the Bush last year by transferring to the West End’s Ambassadors Theatre from 2 April 2020 (press night is 6 April). The production then moves to BAM’s Fishman Space in New York from 21 May.
I Wanna Be Yours at the Bush Theatre speaks to younger and older people navigating an unjust world, and reminds the privileged among us of the constant learning we have to do.
Director Bijan Sheibani turns playwright in a fine two-hander about family and the crisis of masculinity in The Arrival at the Bush Theatre.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 20 October 2019), ranging from Olivia Mitchell’s thigh-slapping joy on seeing Noises Off to Libby Purves’ plea that we listen to the story being told in [Blank] at the Donmar Warehouse.
Sabrina Mahfouz’s feminist account of British imperialism in A History of Water in the Middle East is energetic and passionate but also turns out to be a very slender piece of theatre.
Baby Reindeer at the Bush Theatre, stand-up comedian Richard Gadd’s provocative one-man show about a stalker and complicit victimhood, is darkly exciting.
Chiaroscuro is a relevant, moving production, addressing issues of sexuality and identity & focusing on characters that are often left out of theatrical narratives. It is a vital and vibrant contribution to contemporary theatre.
Lively gig theatre revival of Jackie Kay’s Chiaroscuroa, a 1980s account of the black lesbian experience doesn’t quite work.
Lynette Linton brings together this story in a beautiful and explosive manner through her direction of Chiaroscuro.
Bush Theatre follows its trend of programming interesting and challenging work, as Rust provides an exciting 75 minutes of raw emotion.
New play Rust at the Bush, about an extramarital affair, is short but emotionally truthful and invigorating.
Lynette Linton has announced her inaugural season as Artistic Director of the Bush Theatre. The 2019-2020 season includes UK debut plays from six playwrights alongside a new production of celebrated poet and playwright Jackie Kay’s first play Chiaroscuro directed by Linton.
Strange Fruit is a complex, dense play that is beautifully played by a talented ensemble and thoughtfully directed by Nancy Medina.
Love London Love Culture rounds up the reviews for the Bush Theatre’s production of Caryl Phillips’ Strange Fruit, the story of a family caught up between two cultures.
This apt revival of Caryl Phillips’ first play, Strange Fruit, stirred up a maelstrom of memories for me, a second generation Caribbean immigrant, growing up in a city on the south coast of 1970s/1980s England.