Newcomer Sam Tutty scooped two awards for his star-making performance in the hit West End musical Dear Evan Hansen at The Stage Debut Awards 2020. The awards were presented as a virtual ceremony filmed at London’s Theatre Royal Haymarket.
This venue’s urgent response to the killing of George Floyd and the Black Lives Matter campaign is powerfully realised.
Lockdown occasionally spawns some real delights. Like the surprise appearance of a strange creature from the profoundest depths. One of these must be Andrew Scott’s superb performance in Simon Stephens’s Sea Wall.
Breffni Holahan delivers Margaret Perry’s script for Collapsible with an unrelenting energy that starts high and reaches stratospheric levels.
Collapsible is a one woman monologue by Margaret Perry exploring anxiety and mental health in the face of a modern and overwhelming world.
The award-winning Edinburgh Festival Fringe hit Baby Reindeer follows a sold-out season at the Bush last year by transferring to the West End’s Ambassadors Theatre from 2 April 2020 (press night is 6 April). The production then moves to BAM’s Fishman Space in New York from 21 May.
I Wanna Be Yours at the Bush Theatre speaks to younger and older people navigating an unjust world, and reminds the privileged among us of the constant learning we have to do.
Director Bijan Sheibani turns playwright in a fine two-hander about family and the crisis of masculinity in The Arrival at the Bush Theatre.
In our continuing series, our editor Lisa Martland picks out some of her Top Picks from the last week of theatre (to 20 October 2019), ranging from Olivia Mitchell’s thigh-slapping joy on seeing Noises Off to Libby Purves’ plea that we listen to the story being told in [Blank] at the Donmar Warehouse.
Sabrina Mahfouz’s feminist account of British imperialism in A History of Water in the Middle East is energetic and passionate but also turns out to be a very slender piece of theatre.
Baby Reindeer at the Bush Theatre, stand-up comedian Richard Gadd’s provocative one-man show about a stalker and complicit victimhood, is darkly exciting.
Chiaroscuro is a relevant, moving production, addressing issues of sexuality and identity & focusing on characters that are often left out of theatrical narratives. It is a vital and vibrant contribution to contemporary theatre.
Lively gig theatre revival of Jackie Kay’s Chiaroscuroa, a 1980s account of the black lesbian experience doesn’t quite work.
Lynette Linton brings together this story in a beautiful and explosive manner through her direction of Chiaroscuro.
Bush Theatre follows its trend of programming interesting and challenging work, as Rust provides an exciting 75 minutes of raw emotion.
New play Rust at the Bush, about an extramarital affair, is short but emotionally truthful and invigorating.
Lynette Linton has announced her inaugural season as Artistic Director of the Bush Theatre. The 2019-2020 season includes UK debut plays from six playwrights alongside a new production of celebrated poet and playwright Jackie Kay’s first play Chiaroscuro directed by Linton.