Andrew Lloyd Webber announced today that the world premiere of his new musical Cinderella will now open at London’s Gillian Lynne Theatre on 28 October 2020, with previews from Friday 9 October.
Carrie Hope Fletcher will play Cinderella in Andrew Lloyd Webber’s highly anticipated new production at the Gillian Lynne Theatre, with performances confirmed to begin on 28 August 2020 (press night is 23 September).
Above all it is Kretzmer’s stunning lyrical treatment of those soaring French melodies (on press night, immaculately delivered under Steve Moss’ baton) woven around a story that is breathtaking in its scope that still define Les Misérables as a night of world class musical theatre.
Love London Love Culture rounds up the reviews for the newly opened production of Les Misérables.
New blood courses through the veins of the West End’s longest-running musical Les Misérables.
Ian Hughes who recently took over the role of Thénardier to great acclaim in the current sell-out UK and international tour of Les Misérables will now join the London company to partner Josefina Gabrielle.
Cameron Mackintosh has announced casting for Boublil and Schönberg’s Les Misérables at the newly restored Sondheim Theatre, when the theatre re-opens on 18 December 2019 following its major renovation.
Like its predecessors, 2019’s Les Misérables: The Staged Concert will be long remembered as another notable event in the musical’s performance history, heralding the return of Michael Ball to a show he helped to establish, but this time in the role of Javert.
As rehearsals begin for Les Misérables – The Staged Concert, it has been announced that Shan Ako and Lily Kerhoas will complete the principal casting as Éponine and Cosette respectively.
Cameron Mackintosh has announced that for 16 weeks only Michael Ball (Javert), Alfie Boe (Jean Valjean), Carrie Hope Fletcher (Fantine) and Matt Lucas (Thénardier) will lead a large cast and orchestra of over 65 in the concert version of Les Misérables.
Steve Tompkins, director of Haworth Tompkins, the architecture studio responsible for projects including many of UK theatre’s most high-profile building projects, has been named number one in The Stage 100 in association with Spektrix.
Black musical comedy Heathers The Musical has graduated with honours to the West End, opening at the Theatre Royal Haymarket to whoops of laughter and screams of delight from enthusiastic audiences.
Following an immensely popular run at The Other Palace, Heathers The Musical – based on the 1980s film – has transferred to the Theatre Royal Haymarket. Here is what critics have said about it…
Following a sold-out run at The Other Palace earlier this year, there’s been a lot of hype surrounding Heathers the Musical, with a strong fandom out in force and social media buzzing with (mostly) glowing comments.
Every so often a show comes around which receives an exceptional amount of hype and has the West End buzzing. Heathers is currently that show and the good news is that it truly lives up to it.
The hype for Heathers The Musical is real, awards need to be nominated for and won. High School will never be the same again, it’s just ‘So Very’.
You thought there were enough school-themed musicals? What with Bring it On, School of Rock and our own dear cross-dressing Jamie…? Make room, here comes Heathers.
The creative team behind Heathers the Musical has announced a brand new song has been written into the show ahead of its West End debut at the Theatre Royal Haymarket (3 September to 24 November 2018), along with multiple re-workings to the script.
When The Curtain Falls is the perfect read to wrap you up and transport you to the glittering lights of the West End.
Carrie Hope Fletcher’s writing is lyrical but easy to read. Reading her books feel as though you’re listening to a friend talk.
As ever, if you’re insatiable for new theatre, there are plenty of openings for you. In London, Space Dogs plays a short run at Theatre N16, Laura Linney makes her London stage debut in My Name Is Lucy Barton at the Bridge Theatre.