Two actors on stage describe their characters as if the direction in the playtext is part of the script. It is the first of many quirks in Aleshea Harris’ dark revenge comedy Is God Is.
American playwright Aleshea Harris’ dazzlingly satirical 2018 extravaganza is about two women seeking justice and getting even, and it comes to the Royal Court from New York, trailing shouts of enthusiasm.
Maxine Peake stars in Lucy Kirkwood’s new play The Welkin at the National Theatre. But what have critics had to say about it?
Maxine Peake struggles to make the voice of reason heard in the rather reactionary feminist history play The Welkin at the National Theatre.
Lucy Kirkwood returns to the National Theatre with The Welkin, starring a brilliant ensemble led by Maxine Peake.
The National Theatre has announces 15 productions of new plays and fresh adaptations by leading writers. Olivier Theatre My Brilliant Friend 12 November 2019 to 18 January 2020 (Press day is 26 November). Plays in rep, with further performances to be announced Following a sell-out run at Rose Theatre Kingston, the two-part adaptation of Elena Ferrante’s My Brilliant Friend by April De Angelis is reworked …
At last, Rufus Norris’ National Theatre has come of age. Breathtaking, brave and brilliantly acted, Downstate is a landmark play. It’s listed as a ‘collaboration’ between NT and Steppenwolf, but the Chicago company’s prints are all over this glistening weapon.
Whether rehabilitation is truly possible for such serious crimes committed by sex offenders, Bruce Norris never really decides, leaving only a dramatically engaging but morally troubling outcome in Downstate at the National Theatre.
Nine Night is a truly fantastic, affecting and entertaining piece of theatre that deserves the space its been given plus more.
Nine Night is an honest and beautiful play which by being so particular and rooted in one community becomes a conduit of universal emotional truths. Fabulous.
We celebrate the fact that Nine Night is the first play by a black British female playwright to make it into the West End, as Natasha Gordon’s debut makes the move from the National’s smallest space in the Dorfman Theatre to the Trafalgar Studios in one giant leap.
The shortlist for the 64th Evening Standard Theatre Awards has been unveiled. The winners will be announced on Sunday 18 November at the Theatre Royal, Drury Lane.
Natasha Gordon will take the role of Lorraine in her debut play Nine Night when the critically-acclaimed production transfers from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night is 6 December), running until 9 February 2019.
It’s momentous indeed to see a debut work at the National and this excellent production of Nine Night, in all the clamour for a National Theatre that actually reflects the demographics of the nation, hopefully indicates change is afoot.
It’s astonishing that the National should decide to stage a writer’s first play in the Dorfman Theatre but their confidence in the quality of Natasha Gordon’s Nine Night is justified.
London-born actress Natasha Gordon’s warmhearted play, Nine Night, now making its first appearance at the National Theatre, is as much about family, music and mourning as it is about ethnicity or migration.
It is Natasha Gordon’s mastery of the family dynamic and relationships that makes this debut play, Nine Night such a spell-binding experience.
If there’s any justice in the world, Nine Night will match the success of another Dorfman show – Beginning – by transferring into the West End to get the much wider audience it richly deserves.
National Theatre artistic director Rufus Norris announced the flagship institution’s 2018 plans at a press conference held today. Here are details of programming in the three auditoria at the NT’s South Bank home.
With over 100 cast, writers, directors and crew, and 25 plays (none of which were by Agatha Christie!) spread over 7 programmes, Sphinx Theatre’s Women Centre Stage: Power Play Festival was a full-on day indeed for those of us who stayed the course from midday to nearly 10pm… Though I was 90% caffeine by the end, the buzz I was experiencing was one of delight at the sheer breadth and quality of the theatre we’d been privileged to witness.
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