The National Theatre has announces 15 productions of new plays and fresh adaptations by leading writers. Olivier Theatre My Brilliant Friend 12 November 2019 to 18 January 2020 (Press day is 26 November). Plays in rep, with further performances to be announced Following a sell-out run at Rose Theatre Kingston, the two-part adaptation of Elena Ferrante’s My Brilliant Friend by April De Angelis is reworked …
At last, Rufus Norris’ National Theatre has come of age. Breathtaking, brave and brilliantly acted, Downstate is a landmark play. It’s listed as a ‘collaboration’ between NT and Steppenwolf, but the Chicago company’s prints are all over this glistening weapon.
Whether rehabilitation is truly possible for such serious crimes committed by sex offenders, Bruce Norris never really decides, leaving only a dramatically engaging but morally troubling outcome in Downstate at the National Theatre.
Nine Night is a truly fantastic, affecting and entertaining piece of theatre that deserves the space its been given plus more.
Nine Night is an honest and beautiful play which by being so particular and rooted in one community becomes a conduit of universal emotional truths. Fabulous.
We celebrate the fact that Nine Night is the first play by a black British female playwright to make it into the West End, as Natasha Gordon’s debut makes the move from the National’s smallest space in the Dorfman Theatre to the Trafalgar Studios in one giant leap.
The shortlist for the 64th Evening Standard Theatre Awards has been unveiled. The winners will be announced on Sunday 18 November at the Theatre Royal, Drury Lane.
Natasha Gordon will take the role of Lorraine in her debut play Nine Night when the critically-acclaimed production transfers from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night is 6 December), running until 9 February 2019.
It’s momentous indeed to see a debut work at the National and this excellent production of Nine Night, in all the clamour for a National Theatre that actually reflects the demographics of the nation, hopefully indicates change is afoot.
It’s astonishing that the National should decide to stage a writer’s first play in the Dorfman Theatre but their confidence in the quality of Natasha Gordon’s Nine Night is justified.
London-born actress Natasha Gordon’s warmhearted play, Nine Night, now making its first appearance at the National Theatre, is as much about family, music and mourning as it is about ethnicity or migration.
It is Natasha Gordon’s mastery of the family dynamic and relationships that makes this debut play, Nine Night such a spell-binding experience.
If there’s any justice in the world, Nine Night will match the success of another Dorfman show – Beginning – by transferring into the West End to get the much wider audience it richly deserves.
National Theatre artistic director Rufus Norris announced the flagship institution’s 2018 plans at a press conference held today. Here are details of programming in the three auditoria at the NT’s South Bank home.
With over 100 cast, writers, directors and crew, and 25 plays (none of which were by Agatha Christie!) spread over 7 programmes, Sphinx Theatre’s Women Centre Stage: Power Play Festival was a full-on day indeed for those of us who stayed the course from midday to nearly 10pm… Though I was 90% caffeine by the end, the buzz I was experiencing was one of delight at the sheer breadth and quality of the theatre we’d been privileged to witness.
There was undoubtedly a lot of theatre during the Women Centre Stage: Power Play Festival but for me, the New Women session in the middle of the day was the highlight – three cracking pieces which variously looked to the past, the present and the future to thrilling effect.
Yesterday (14 November 2016) saw the launch of the Women Centre Stage: Power Play Festival at Hampstead Theatre and The Actors Centre. Produced by Sphinx Theatre Company and Joanna Hedges, Women Centre Stage exists to promote, advocate for and inspire women in the arts and has developed and commissioned a wide range of new work which uniquely brings together a diverse array of women characters far from the margins into centre stage.
Written by Mary J O’Malley in 1979, set in 1957, Once A Catholic is an uproarious comedy poking fun at the Catholic church and the nuns in its schools who cowed and confused successive generations of girls with the combined threat of everlasting hellfire and a secretarial career. Director Kathy Burke is an outstanding actress, feminist and […]
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