Final adult casting has been announced for the new production of Mary Poppins which begins rehearsals in September 2019 and returns to its original West End home at the Prince Edward Theatre from 23 October.
Petula Clark and Joseph Millson play the Bird Woman and George Banks in the new production of Mary Poppins which returns to its original West End home at the Prince Edward Theatre from 23 October 2019 to 29 March 2020.
Disney and Cameron Mackintosh’s new production of Mary Poppins, the musical based on the stories of P. L. Travers and the original film, returns to its original West End home at the Prince Edward Theatre after 15 years, beginning previews on 23 October 2019 with opening night on 13 November.
Charlie Stemp will return to the London Palladium to play The Prince in this year’s pantomime, Snow White at the London Palladium along with Danielle Hope who will play the title role of Snow
The internationally award-winning production of Mary Poppins will return to its original West End home at the Prince Edward Theatre where, after three hit years in London, Disney’s Aladdin will end its run late August 2019.
The story of Hello, Dolly! may be froth and frolics, but underneath the razzle-dazzle of Jerry Herman’s songs and Michael Stewart’s book, there beats a heart-warming tale of simple humanity, which Bernadette Peters portrays exquisitely.
Lots & lots of shows have their first performances in London and across the country this month, including new productions of Pinter’s The Birthday Party, Wilde’s Lady Windermere’s Fan, and Shakespeare’s All’s Well That Ends Well.
The boutique musical boom went off the boil in 2017, while on the professional scene, Melbourne’s East End was dominated by one man: Casey Nicholaw.
The reviews are in for Dick Whittington, QDOS’ second annual, big-budget, blockbuster pantomime in the West End, running at the London Palladium until 14 January 2018. What is the critical verdict? Here Love London Love Culture rounds up the reviews.
Following critical and commercial success with last year’s Cinderella, QDOS Entertainment has again invested millions to make Dick Whittington the biggest, boldest and glitziest pantomime on the London circuit with what looks like a degree of overkill, taking a sledgehammer to crush a rat perhaps.
The announcement of the new cast for Broadway’s hugely lauded Hello, Dolly! has been a most strange affair – names trickling out one by one, rather than one big splash.
Emma Williams reunites with her Half a Sixpence co-star Charlie Stemp this Christmas for Dick Whittington at the London Palladium, where the pantomime cast also includes Julian Clary, Elaine Paige, Nigel Havers and Gary Wilmot.
Anthony Boyle, Audra McDonald, Amber Riley, John Boyega and The Feeling’s Dan Gillespie Sells are amongst the nominees in The Stage’s inaugural Debut Awards. Public voting continues until 10 September 2017 for the Best West End Debut winner.
3. The Choreography: Andrew Wright’s wonderfully energetic and elegant choreography not only captures the era in which the musical is set perfect, but also the spirit and joyfulness of the musical as a whole.
Fresh from Half a Sixpence, Charlie Stemp will join Elaine Paige and Gary Wilmot, along with the previously announced Julian Clary, Paul Zerdin and Nigel Havers in Dick Whittington, this year’s Christmas pantomime at the London Palladium.
First presented at Chichester’s Festival Theatre last summer, the Olivier Award-nominated revival of HALF A SIXPENCE will play its final performance at the West End’s Noel Coward Theatre on Saturday 2 September 2017.
A group of London’s keenest bloggers and theatre writers were invited by RAW PR to a pre-show exclusive event for Half A Sixpence. I was fortunate enough to attend and get a flavour of how much effort and magic goes into this show night after night.
Arthur Kipps (Charlie Stemp), is an orphan and over-worked draper’s assistant at the turn of the last century. Kipps unexpectedly inherits a fortune that propels him into high society.
Rachel Kavanaugh has created a delightfully light footed production that leaves the audience beaming for joy. This wonderfully perky musical is a classic rags to riches story that shows that money really doesn’t buy happiness, wonderfully told through the story of Arthur Kipps an orphan who works as a drapers assistant until he unexpectedly comes into the money.
It’s rare to watch a West End musical that is so wonderfully British – and Half a Sixpence really is just that, in so many ways. The direction, choreography and music of the piece frame the energy wonderfully.
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