Mack and Mabel has long been known as a troublesome musical. Various reasons have been given for why it has repeatedly failed to secure itself a spot as a permanent favourite of the theatregoing masses. After repeated successes with their big summer musicals, the team at Chichester Festival Theatre are setting out to change that!
It’s consistently hailed as one of the greatest musicals, topped Mark Shenton’s list of favourites and was one of the best things we saw last year… and now Chichester Festival Theatre’s superb take on Guys and Dolls is heading to the Savoy Theatre!
The highly acclaimed and sell-out production of Guys and
Dolls will transfer to London’s Savoy Theatre in December for a strictly
limited 13 week run. Chichester Festival Theatre continue their triumphant
musical successes with this exuberant revival which follows transfers of
Singin’ in the Rain, The Pajama Game and, most recently, Gypsy. Sophie Thompson
and Jamie Parker will reprise their roles, with further casting to be announced.
Guys and Dolls will open at the Savoy Theatre on 6 January 2016, with previews
from 10 December 2015.
Nathan Detroit is desperate: he needs money for an illegal
dice game, and he needs it fast. Not to mention a 14-year engagement with
nightclub singer Miss Adelaide (Sophie Thompson), whose patience is finally running
out. Enter notorious gambler Sky Masterson (Jamie Parker), a guy who can never
turn down a bet, and straight-laced missionary Sarah Brown, a doll with a heart
of ice. Nathan’s wager is that Sky has to romance Sarah by taking her to Havana
for dinner and in return he’ll provide a dozen ‘sinners’ for Sarah’s mission.
Surely this is one bet Nathan absolutely can’t lose?
A joyous and vibrant celebration of Prohibition-era New
York, Guys and Dolls first premiered on Broadway in 1950 and captured the
optimism and energy of post-World War Two America. This hugely popular and multi
award-winning musical, based on the colourful stories by American journalist
Damon Runyon renowned for his vivid fictional depictions of the gamblers,
hustlers and nightclub singers of New York, features some of Broadway’s
greatest musical numbers including ‘My Time of Day’, ‘Luck be a Lady’ and the
show-stopping ‘Sit Down You’re Rockin’ the Boat’. Guys and Dolls is directed by
Gordon Greenberg with choreography by Cuban dancer and former Royal Ballet star
Carlos Acosta and Andrew Wright whose credits include Chichester Festival
Theatre’s Singin’ in the Rain.
plays Miss Adelaide. Theatre credits include The Physicists (Donmar), She
Stoops To Conquer (National Theatre), Clybourne Park (Royal Court), Measure for
Measure (Shakespeare’s Globe), Into the Woods(Donmar Warehouse) for which she
received an Olivier Award, and Company (Donmar Warehouse and West End).
Television credits include Lightfields, Watson and Oliver, Poirot, Doc Martin,
Big Top, and Stella Crawford in EastEnders. Film credits include Harry Potter
and The Deathly Hallows, Eat, Pray, Love, Fat Slags, Nicholas Nickleby, Gosford
Park, Dancing at Lughnasa, Emma and Four Weddings and a Funeral.
plays Sky Masterson. Jamie is currently starring as Mike Connor in High Society
at The Old Vic. Other theatre credits include Rosencrantz and Guildenstern Are
Dead (Chichester and West End), Proof (Menier Chocolate Factory), Henry V,
Henry IV Part I and Henry IV Part 2, As You Like Like It (all for Shakespeare’s
Globe), Racing Demon (Sheffield Crucible), Revenger’s Tragedy (National
Theatre) and The History Boys (National Theatre, Broadway and Australia and
Hong Kong). Television credits include Parade’s End, Silk, The Hour, Silent
Witness and Wire in the Blood. Film credits include Le Weekend, Valkyrie and
The History Boys.
Greenberg has directed plays and musicals at major theatres across America
and Europe, has written for television and stage, and runs the musical theatre
program at The New Group in New York. Current
projects include the stage adaptation of Tangled for Disney, and a new musical
project with multi award-winning composer and lyricist Jerry Herman. Directing
credits include the Drama Desk Award-winning New York revival of Studs Terkel’s
Working, and the acclaimed New York revival of Jacques Brel Is Alive And Well…
(Drama Desk, Drama League, Outer Critics Award nominations). Current writing
projects include Scramble Band, an original movie for the Disney Channel, and
The Single Girls Guide, a new musical updating Jane Austen’s Emma to 1964, and
also adapting and directing Irving Berlin’s Holiday Inn and The Secret of My Success
for Universal Pictures Stage Productions. Recent credits include Pirates! Or
Gilbert and Sullivan Plunder’d (created with Nell Benjamin), the Disney Fantasy
Christening (with Neil Patrick Harris & Jerry Seinfeld), and Happy Days, a
new musical (first US tour).
Choreographer Carlos Acosta trained at the National Ballet
School of Cuba, and has danced as a principal with English National Ballet,
National Ballet of Cuba and Houston Ballet. He is a Principal Guest Artist with
The Royal Ballet and appears worldwide with companies including ABT, Paris
Opera Ballet, Kirov, Bolshoi and Australian Ballet, and has created roles in
contemporary ballets both with The Royal Ballet and internationally. Acosta was
instrumental in taking The Royal Ballet on tour to Havana, and starred in the Company’s
performances of Romeo and Juliet at The O2 Arena dancing Romeo opposite Tamara
Rojo as Juliet. He has staged several shows across Europe featuring both
classical and contemporary repertory, including his own choreography and the
work of choreographers from his native Cuba. Shows for Sadler’s Wells include
the semi-autobiographical Tocororo and Carlos Acosta with Guests from The Royal
Ballet for which he won the Olivier Award for Outstanding Achievement in Dance
for his performances. He recently staged a new production, Classical
Selections, at the Coliseum, and produced and choreographed a new production of
Don Quixote for the Royal Ballet. Screen credits as an actor include the
feature films New York, I Love You and Day of the Flowers.
The music and lyrics are by Frank Loesser, whose credits
include How To Succeed In Business Without Really Trying and the song ‘Baby,
It’s Cold Outside’. The book is by Jo Swerling and Abe Burrows. Burrows’
credits include How To Succeed In Business Without Really Trying and Breakfast
at Tiffany’s. Swerling’s credits include the seminal film It’s A Wonderful
Based on a story and characters by Damon Runyon
Music and Lyrics: Frank Loesser
Book: Jo Swerling and Abe Burrows
Director: Gordon Greenberg
Designer: Peter McKintosh
Choreography: Carlos Acosta and Andrew Wright
Musical Supervisor, Musical Director and Dance Arrangements:
Orchestrator: Larry Blank
Lighting Designer: Tim Mitchell
Sound Designer: Paul Groothuis
Casting Director: Pippa Ailion
The Chichester Festival Theatre production of Guys and Dolls
is produced by Tristan Baker and Charlie Parsons for Runaway Entertainment,
Oliver Royds for BOS Productions, Richard Darbourne Ltd and Tulchin Bartner
LONDON WC2R OEJ
GUYS AND DOLLS
10 DECEMBER 2015 – 12 MARCH 2016
Monday – Saturday at 7.30pm
Matinees Tuesday and Saturday at 2.30pm
Ticket prices: From £25.00
The highly acclaimed and sell-out production of Guys and Dolls will transfer to London’s Savoy Theatre in December for a strictly limited 13 week run. Chichester Festival Theatre continue their triumphant musical successes with this exuberant revival which follows transfers of Singin’ in the Rain, The Pajama Game and, most recently, Gypsy. Sophie Thompson and Jamie Parker will reprise their roles, with further casting to be announced. Guys and Dolls will open at the Savoy Theatre on 6 January 2016, with previews from 10 December 2015.
SUNNY SUMMER KICKS AND SOARING SONGS Here’s a joyful thing: a confection of butterscotch and sunshine, a tale of turrets and twosomes and tap-breaks, friendship and chivalry and secret passages and great legs, with glorious, soaring Gershwin songs to punt … Continue reading →
In recent years Chichester Festival Theatre has had a knack of creating hit after hit from fresh takes on classic musicals. I suppose it was inevitable then that they would eventually come to launching a brand new show and with A Damsel In Distress they have. Well, kind of. This is a new show made from well-loved old parts that have been lovingly tidied and stitched together. Theatrical upcycling if you will…
Following on from the announcement of his departure from Chichester Festival Theatre after the 2016 Season, Jonathan Church today announces that he will be establishing a new, independent production company, Jonathan Church Productions Limited (JCPL), as a platform to continue the development of both his producing and directing output in the future.
Sixty or so years ago, Jean Anouilh’s works were popular enough for the BBC to broadcast a recording of him reading one of his plays in the original French. These days he’s hardly a household name, but he still maintains enough popularity for his work to be
readily revisited. Chichester Festival Theatre have regularly produced productions of his plays and this translation, by Jeremy Sams who also directs, was originally put together for a production at the Almeida Theatre way back in 1990.
There are a few signs that tell us here at Sitting in the Cheap Seats that spring has finally sprung. The trees and flowers begin to bloom, there are occasionally consecutive days without any rain and the surest sign of all… We find ourselves venturing to Chichester Festival Theatre for the launch of their summer season. This year their initial offering is the seemingly easy-going Alan Ayckbourn classic Way Upstream.
SHIP OF FOOLS GOES AGAINST THE FLOW… This is the play which flooded the Olivier stage and the National Theatre electrics in 1982. Of all Alan Ayckbourn’s massive oeuvre it is one of the rarest – only three previous productions. … Continue reading →
This morning, producers confirmed that – on the back of a shedload of new five-star reviews from last week’s West End opening – Jonathan Kent‘s Chichester Festival production of Gypsy, “starring Imelda Staunton as the indomitable Rose”, has extended its booking until 28 November 2015 at the Savoy Theatre.
Is Imelda Staunton the best Momma Rose ever? She’s absolutely the best Momma Rose I’ve ever seen – but, then again, she’s also the only Momma Rose I’ve never seen. Yes, my not-so-guilty confession is this: I’ve never seen Gypsy before… I say that without much guilt because, incredibly, Jonathan Kent‘s current critically acclaimed Chichester […]
Is there any odder opening line to a big musical number than “Have an egg-roll, Mr Goldstone”? Is there any dryer account of the emotional tangle of mothers and daughters, showbiz and ambition than this Laurents / Styne / Sondheim show? Will Jonathan Church’s Chichester never give over turning out productions so fabulous that they transfer and bring London to its feet? Is three standing ovations even enough? And is there any actress more heroically accomplished, more vividly alive, more formidable in song , speech and silence, more superhuman yet more likeable than Imelda Staunton?
Rose Thompson Hovick must have been one of the first practitioners of NLP. By constantly drumming in to her tapdancing infant that she was ‘gonna be a star’ Rose made it happen even if stripper Gypsy Rose Lee accidentally became a somewhat bigger name than the favoured sibling, actress June Havoc
If you follow me on Twitter, you know I’m a sucker for memorable #quotes. I think that’s one of the reasons I adore theatre so much: great dialogue. Whenever I see a show – first night, last night, press night, whenever – I always have my pen and notebook at the ready. That’s not to make […]
Jonathan Church’s production, which originated at Chichester’s Minerva Theatre late last year, is a handsome, thoughtful addition to the West End roster. It may sometimes be gruelling to watch, but it is never less than absorbing.
A TERROR AND A TRIBUTE “May the Master of Mercy shelter them in the shadow of his wings”. A Holocaust prayer is on a slip in the programme for this eve of the Auschwitz liberation, and quiet music plays … Continue reading →
We’ve looked back ad nauseum over the past fortnight at the best of #theatre2014; now it’s time to look forward. And there’s SO much to look forward to theatrically. To help you keep track of all the new year picks and predictions, here’s a handy 2015 recommendations round-up. Having perused them all, let me summarise […]
In this new year gorgefest of lists, The Stage‘s annually compiled Stage 100 of the top influencers in theatre takes the cake. Launched in January 1997, The Stage 100 is now in its 19th year and always makes for fascinating reading – and, I’m sure, lots of behind the scenes disagreements on risers, fallers, inclusions and omissions. […]
I’m playing catch-up. Here are four shows I caught before my turkey-filled escape to the States last week for Thanksgiving. All of which serve up entertaining evenings in the theatre. As usual, I’ve listed them in closing date order. Don’t delay with the first in particular, as it finishes its limited season in a week. […]