Travis Alabanza’s play Overflow at the Bush Theatre is both tender in its empathy for the different kinds of trans experience and passionately angry about prejudice.
Dante Or Die’s User Not Found is a stimulating and thoughtful piece which pushes the boundaries of what theatre is and can be.
Only a few more chances to see Dante or Die’s acclaimed site-specific, one-man play User Not Found, running at The CoffeeWorks Project next to Battersea Power Station until this Sunday 2 June 2019. Have you been following our behind-the-scenes video series? Time to get booking before it’s too late!
My recent theatre trips have included Dante or Die’s User Not Found and Blueprint Medea, written and directed by Julia Pascal. Here’s a round-up of my on-the-night reactions to each.
The setting was perfect – a café, a contemporary workplace where you find people milling around, procrastinating, filling gaps of time by taking a sneaky peek at what everyone else is doing on social media.
As User Not Found prepares for its London transfer – running at The CoffeeWorks Project next to Battersea Power Station from 17 May to 2 June 2019 – the show’s co-creators and Dante or Die co-artistic directors Terry O’Donovan & Daphna Attias recall the article that originally inspired them. Time to get booking!
Why has Time Out chosen Dante or Die’s User Not Found as one of its Top Theatre Picks for May? The raves that Time Out’s Andrzej Lukowski and so many other critics gave the show when it was first seen at last year’s Edinburgh Fringe gives a strong indication. We’ve rounded up our favourite review highlights below. The two-week-only London run begins this Friday – time to get booking!
Following huge success at last year’s Edinburgh Fringe, and a 2019 tour to cafes around the country Dante or Die’s ground-breaking digital hit User Not Found, written by Chris Goode, arrives this week in London, for a run at a coffee shop next to Battersea Power Station for a strictly limited two-week season. Time to get booking!
Jubilee is an uneven experience by its nature, but the success of the evening can be judged in the reaction of the audience. It was made for them, and they love it.
The world would be a better place if we had the room to express like Jubilee at the Lyric Hammersmith does. The honesty and severity of this piece is its crowning glory.
Random and topical thoughts and quotes gathered by My Theatre Mates contributor Aleks Sierz, first published on www.sierz.co.uk.
The best that can be said about Chris Goode’s Jubilee is that it must surely be in the running for the hotly contested accolade of the worst show of the whole decade.
Nostalgic, trying too hard to shock and no longer a force to be reckoned with, Jubliee is, nevertheless, a period piece with a difference which will find fans hoping to relive their youth or see what all the fuss was about.
Jubilee is a riot. From the slogans spray-painted on to plywood surrounding the Royal Exchange’s in-the-round space to the chaotic way the cast commandeer the stage, it is obvious from the start that this is no ordinary night at the theatre.
Warmly fierce: There is a deep humanity to Eve, at the Traverse, that makes it both challenging and reassuring, giving it an ultimate message of hope.
Vs is a short but energizing piece of dance theatre. It’s fun, but it would be even more fun if it didn’t come clothed in the relentless hype that Goode and his admirers have created around the show. You are entitled to believe that queer performance is the future of British theatre, but really you can only believe that this kind of devised live art is brilliant if you have no historical memory whatsoever.
A trio of world premieres mark out the National Theatre of Scotland’s Summer and Autumn season of its tenth anniversary year, are being launched in Edinburgh.