Clare Bloomer is Tracy, fifty years old and stuck in her kitchen making Christmas dinner for her extended family (all 21 of them).
The charmingly funny play Maggie and Ted goes behind the feud between Margaret Thatcher and Edward Heath – but can feel slightly rushed in places.
Initially, Foul Pages has a surfeit of innuendo, as the actors revel in saucy banter. However, once things settle down, Foul Pages reveals itself to be about the love of acting and what it was like for the boys who played all the female roles.
In its exploration of artistic compromise and the perils of pursuing both sexual and political freedom, Foul Pages makes for strange eventful history.
If the conflicting obsessions of the characters and the murkiness of the plot in Foul Pages at the Hope Theatre were more brightly illuminated, this could be a sustained and hilarious evening, but the author has given it pretentions also to be a serious drama.